{"id":1373,"date":"2008-10-22T15:11:43","date_gmt":"2008-10-22T05:11:43","guid":{"rendered":"http:\/\/roberthood.net\/blog\/?p=1373"},"modified":"2008-10-22T17:34:23","modified_gmt":"2008-10-22T07:34:23","slug":"not-quite-the-return-of-gorgo","status":"publish","type":"post","link":"https:\/\/roberthood.net\/blog\/index.php\/2008\/10\/22\/not-quite-the-return-of-gorgo\/","title":{"rendered":"Not Quite the Return of Gorgo"},"content":{"rendered":"<p>Britain&#8217;s answer to Japan&#8217;s iconic <em>Gojira<\/em> [aka Godzilla] featured the rather clever concept of a large sea monster captured and returned to London by authorities, who are soon enough dismayed to discover that it is only a little &#8216;un. Now Mum&#8217;s come to town looking for junior &#8212; and she&#8217;s not happy.<\/p>\n<p>This film was <strong>Gorgo<\/strong> (UK-1961; dir. Eugene Lourie).<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/www.roberthood.net\/obsesses\/images\/Gorgo.jpg\" alt=\"\" width=\"308\" height=\"435\" \/><\/p>\n<p>Fans have speculated on the possibility of a sequel for decades. Now M.J. Simpson (whose work appears in <em>Fangoria<\/em> and elsewhere) has scripted a short film called <em>Waiting for Gorgo<\/em> that partially addresses the speculation. Not that it is actually a sequel, mind you. It&#8217;s more like a &#8220;semisequel&#8221;, he says, set about 40 years after the events of Gorgo.<\/p>\n<p>Apparently no monsters actually appear in the 15-minute movie. &#8220;We\u2019re using the conventions of a monster movie to satirize the bureaucracy of the British Civil Service,\u201d Simpson commented.<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.roberthood.net\/obsesses\/images\/waitingforgorgo05.jpg\" alt=\"Waiting for Gorgo pic 1\" \/><\/p>\n<blockquote><p>Deep in the bowels of the Ministry of Defence lies a secretive government department identified only as the \u2018DMOA\u2019. Just what the DMOA does has been lost in the annals of time &#8212; all that is known is that it&#8217;s the last line of defence protecting London from total destruction.<\/p>\n<p>Determined to find out more about this strange department, Alexandra, a young ambitious defence analyst, sets off into the rabbit warrens of Whitehall to see the DMOA for herself. Finding two aged public servants in varying stages of senility, Alexandra is convinced that the DMOA is the result of an unfortunate mistake. However, as the conversation progresses it becomes apparent that the old guys may not be as senile as they seem, and more worryingly, they may indeed be London&#8217;s last line of defence.<\/p><\/blockquote>\n<dl class=\"style190\">\n<dd><strong>Director<\/strong>: Benjamin Craig<\/dd>\n<dd><strong>Screenplay<\/strong>: M.J. Simpson<\/dd>\n<dd><strong>Producers<\/strong>: Lisa Whelan, Benjamin Craig<\/dd>\n<dd><strong>Executive Producers<\/strong>: Omar Todd, Kylie Herd<\/dd>\n<dd><strong>Director of Photography<\/strong>: Brian Strange<\/dd>\n<dd><strong>Production Designer<\/strong>: Timothy Orman<\/dd>\n<\/dl>\n<p>Filmed at the George Lucas Stage at Elstree Studios in the UK, <em>Waiting for Gorgo<\/em> stars Geoffrey Davies (<em><span class=\"style110\">Tales from the Crypt<\/span><\/em> and <span class=\"style110\"><em>Oh! What a Lovely War<\/em>), <\/span>Nicholas Amer (the 1990 version of <em><span class=\"style110\">Treasure Island<\/span><\/em>, <em><span class=\"style110\">Disciple of Death<\/span><\/em>, <em><span class=\"style110\">The Draughtsman\u2019s Contract<\/span><\/em> and an episode of <em><span class=\"style110\">The Avengers<\/span><\/em>), and Kelly Eastwood (<span class=\"style110\"><em>Death at a Funeral<\/em>).<\/span><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/www.roberthood.net\/obsesses\/images\/waitingforgorgo00.jpg\" alt=\"Elmtree Studios\" width=\"450\" height=\"337\" \/><\/p>\n<h5 style=\"text-align: center;\"><span style=\"color: #800000;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/www.roberthood.net\/obsesses\/images\/waitingforgorgo04.jpg\" alt=\"Benjamin Craig and Geoffrey Davies\" width=\"450\" height=\"301\" \/><br \/>\nGeoffrey Davies with M.J. Simpson in the DMOA offices<\/span><\/h5>\n<p>Currently in post-production for a release &#8220;before Christmas&#8221;, this looks like it will be a well-produced and loving tribute to Britain&#8217;s best giant monster flick.<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone aligncenter\" src=\"http:\/\/www.roberthood.net\/obsesses\/images\/waitingforgorgo02.jpg\" alt=\"Waiting for Gorgo pic 2\" width=\"450\" height=\"338\" \/><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/www.roberthood.net\/obsesses\/images\/waitinggorgo01.jpg\" alt=\"Waiting for Gorgo pic 3\" width=\"450\" height=\"337\" \/><\/p>\n<ul>\n<li><strong>Sources<\/strong>: <a href=\"http:\/\/www.mjsimpson.co.uk\/waitingforgorgo.html\" target=\"_blank\">Official website<\/a> via Kaiju Search-Robot Avery<a href=\"http:\/\/www.mjsimpson.co.uk\/waitingforgorgo.html\" target=\"_blank\"><br \/>\n<\/a><\/li>\n<li><a href=\"http:\/\/www.cinemagine.com\/screen\/waitingforgorgo\/\" target=\"_blank\">Cinemagic website<\/a><\/li>\n<li><a href=\"http:\/\/www.fangoriaonline.com\/gore\/home\/news\/9-film-news\/243-first-peek-at-waiting-for-gorgo-short.html\" target=\"_blank\">Fangoria article<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Britain&#8217;s answer to Japan&#8217;s iconic Gojira [aka Godzilla] featured the rather clever concept of a large sea monster captured and returned to London by authorities, who are soon enough dismayed to discover that it is only a little &#8216;un. Now &hellip; <a href=\"https:\/\/roberthood.net\/blog\/index.php\/2008\/10\/22\/not-quite-the-return-of-gorgo\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,44,3],"tags":[],"_links":{"self":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts\/1373"}],"collection":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/comments?post=1373"}],"version-history":[{"count":0,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts\/1373\/revisions"}],"wp:attachment":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/media?parent=1373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/categories?post=1373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/tags?post=1373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}