{"id":6250,"date":"2010-01-26T17:02:22","date_gmt":"2010-01-26T06:02:22","guid":{"rendered":"http:\/\/roberthood.net\/blog\/?p=6250"},"modified":"2010-02-08T11:40:41","modified_gmt":"2010-02-08T00:40:41","slug":"claws-blood-boobs-and-freaks","status":"publish","type":"post","link":"https:\/\/roberthood.net\/blog\/index.php\/2010\/01\/26\/claws-blood-boobs-and-freaks\/","title":{"rendered":"Claws, Blood, Boobs and Freaks"},"content":{"rendered":"<h2>Review: <strong>Crustacean<\/strong> (US-2010; dir. L.J. Dopp)<\/h2>\n<h3>by Robert Hood<\/h3>\n<p><a href=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/01\/CrustyYeloPoster02.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-6245 alignleft\" style=\"margin: 10px 5px;\" title=\"CrustyYeloPoster02\" src=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/01\/CrustyYeloPoster02.jpg\" alt=\"CrustyYeloPoster02\" width=\"256\" height=\"325\" srcset=\"https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/01\/CrustyYeloPoster02.jpg 800w, https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/01\/CrustyYeloPoster02-236x300.jpg 236w\" sizes=\"(max-width: 256px) 100vw, 256px\" \/><\/a><em>Crustacean <\/em>is a horror-comedy in the colourfully weird &#8220;Circus Freak&#8221; subgenre &#8212; a heritage that includes films that range from the heights of the horror classic <em>Freaks<\/em> (US-1932; dir. Tod Browning) and the excellent <em>The Elephant Man<\/em> (US-1980; dir. David Lynch) through the flawed but interesting <em>Nightbreed<\/em> (US-1990; dir. Clive Barker) and <em>Something Wicked This Way Comes<\/em> (US-1983; dir. Jack Clayton) to schlock masterpieces such as Frank Henenlotter&#8217;s <em>Basket Case<\/em> trilogy (US-1980s), <em>Freaked<\/em> (US-1993; dir. Tom Stern and Alex Winter) and <em>Hideous!<\/em> (US-1997; dir. Charles Band).<\/p>\n<p>Truth to tell, <em>Crustacean<\/em> lines up pretty much on the Troma\/Full Moon ultra-schlock side of cinema production, sporting cartoonish gore, sick visual humour, even-sicker jokes, an absurd plot, low-budget histrionics and a mockingly celebratory horror-genre self-awareness. Nothing here is meant to be taken too seriously.<\/p>\n<p>Lobster-Baby (Zenius Muleckis) is the main attraction in the Travelling Carnival of Freaks owned by Professor Nightwind (Peter Atkins). While the Carnival is visiting a small US town (in fact, populated by only two families &#8212; one even more inbred than the other), Lobster-Baby escapes from his cage &#8212; bloodily, of course &#8212; after being mocked by one of the inbred locals. He sets out on a rampage of limb-severing and head-removal, while searching for the gal who took his fancy. Thus begins a tale of Shakespearean complexity involving death, mutilation, love, familial revelations, twins and lots else besides.<\/p>\n<p>This is not big-budget Hollywood schlock. It&#8217;s low-budget Independent schlock. Luckily whatever <em>Crustacean<\/em> might lack in contemporary rapid-fire editing, eye-exploding SFX and megastar credentials, it makes up for with a wicked sense of humour, low-budget enthusiasm, genre savvy and all that&#8217;s needed for a film to become a Z-movie cult favourite. Director Dopp knows his stuff: the gore is bloody and frequent &#8212; cartoonish, sure, but that&#8217;s its appeal &#8212; as Lobster-Baby&#8217;s claws go <em>snicker-snack<\/em> around assorted necks.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/01\/hippie.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-6266 aligncenter\" title=\"hippie\" src=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/01\/hippie.jpg\" alt=\"hippie\" width=\"468\" height=\"263\" srcset=\"https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/01\/hippie.jpg 640w, https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/01\/hippie-300x168.jpg 300w\" sizes=\"(max-width: 468px) 100vw, 468px\" \/><\/a><\/p>\n<p>There&#8217;s nudity (by way of gratuitous shower scenes and a repeated cameo by &#8220;The Girl Gone Nuts in the Woods&#8221; &#8212; marked as such by on-screen captions). There&#8217;s swearing. There&#8217;s stupid slapstick, from the inbred Stain brothers in particular. There&#8217;s fart jokes. There&#8217;s fake circus freaks, such as the pinhead Siamese twins who are neither pinheads nor cojoined. There&#8217;s two beautiful female leads &#8212; one (Angela Berliner) demure, and the other (Hannah Harper, ex-<em>Penthouse<\/em> chick) less so, the latter of whom spends half the movie covered only in a towel after &#8220;the Shower Scene&#8221; (and then she gets her head chopped off):<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/01\/HannahHead.01201.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-6267 aligncenter\" title=\"HannahHead.0120\" src=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/01\/HannahHead.01201.jpg\" alt=\"HannahHead.0120\" width=\"468\" height=\"312\" srcset=\"https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/01\/HannahHead.01201.jpg 900w, https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/01\/HannahHead.01201-300x200.jpg 300w\" sizes=\"(max-width: 468px) 100vw, 468px\" \/><\/a><\/p>\n<p>Oh, and there&#8217;s a pointless cameo by &#8220;the Producer&#8217;s Girlfriend&#8221;.<\/p>\n<p>Gross humour as well as social and political satire abounds, and there&#8217;s an easy self-awareness that runs through the whole film &#8212; most obviously in its genre referencing, postmodern captions, horror parodies and general air of wanton silliness. There&#8217;s even excellent music by Dopp and famous sax player Tom Saviano. And in case you weren&#8217;t paying attention, the final over-credits song recounts the entire plot for you, in rock-a-billy style.<\/p>\n<p>While not perfect and very lumpy in places, the film has a fun, let-it-all-hang-out enthusiasm that makes <em>Crustacean<\/em> an entertainment you will laugh along with, scoff at to your more-arty friends and secretly remember with affection. Competent-to-excellent performances, cheesy FX, cameos by genre personalities, satire and genre clueyness overcome its rough-and-ready structure and typical lapses in pacing, and what it all adds up to is good ol&#8217; gory horror-comedy fun!<\/p>\n<p style=\"padding-left: 60px;\">Check out the comprehensive <a href=\"http:\/\/roberthood.net\/blog\/index.php\/2009\/09\/26\/crustacean-the-movie\/\" target=\"_blank\">Undead Backbrain article<\/a> on the film for more details regarding its personnel and to read statements about it by the director. Go to the <a href=\"http:\/\/crustaceanthemovie.com\/\" target=\"_blank\">official <em>Crustacean<\/em> website<\/a> for more info &#8212; official DVD release date: March 2010.<\/p>\n<p style=\"padding-left: 60px;\">Other link: Trailer on the film&#8217;s <a href=\"http:\/\/www.youtube.com\/user\/crustaceanthemovie\" target=\"_blank\">YouTube Channel<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review: Crustacean (US-2010; dir. L.J. Dopp) by Robert Hood Crustacean is a horror-comedy in the colourfully weird &#8220;Circus Freak&#8221; subgenre &#8212; a heritage that includes films that range from the heights of the horror classic Freaks (US-1932; dir. Tod Browning) &hellip; <a href=\"https:\/\/roberthood.net\/blog\/index.php\/2010\/01\/26\/claws-blood-boobs-and-freaks\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[26,103,91,14],"tags":[],"_links":{"self":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts\/6250"}],"collection":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/comments?post=6250"}],"version-history":[{"count":15,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts\/6250\/revisions"}],"predecessor-version":[{"id":6274,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts\/6250\/revisions\/6274"}],"wp:attachment":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/media?parent=6250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/categories?post=6250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/tags?post=6250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}