{"id":6431,"date":"2010-02-13T16:01:02","date_gmt":"2010-02-13T05:01:02","guid":{"rendered":"http:\/\/roberthood.net\/blog\/?p=6431"},"modified":"2010-02-15T07:23:29","modified_gmt":"2010-02-14T20:23:29","slug":"the-monstrous-poignancy-of-being-a-stop-motion-monster","status":"publish","type":"post","link":"https:\/\/roberthood.net\/blog\/index.php\/2010\/02\/13\/the-monstrous-poignancy-of-being-a-stop-motion-monster\/","title":{"rendered":"The Monstrous Poignancy of Being a Stop-Motion Monster"},"content":{"rendered":"<p>Apart from sitting in the bath and brooding, what do monsters do once they&#8217;re forced into retirement?<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/4326316069_801f066030BB.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-6433 aligncenter\" title=\"4326316069_801f066030BB\" src=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/4326316069_801f066030BB.jpg\" alt=\"4326316069_801f066030BB\" width=\"424\" height=\"312\" srcset=\"https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/4326316069_801f066030BB.jpg 500w, https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/4326316069_801f066030BB-300x221.jpg 300w\" sizes=\"(max-width: 424px) 100vw, 424px\" \/><\/a><\/p>\n<p>Writer\/director Harry Chaskin tries to answer that question in his short film, <em><strong>Bygone Behemoth<\/strong><\/em>, which will be premiering next month at the <a href=\"http:\/\/www.sxsw.com\/\" target=\"_blank\">SXSW Film Festival<\/a> in Austin, Texas.<\/p>\n<p><strong>Trailer:<\/strong><\/p>\n<p style=\"text-align: center;\"><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"425\" height=\"344\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/16O-mhorUCE&amp;hl=en_US&amp;fs=1&amp;\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"425\" height=\"344\" src=\"http:\/\/www.youtube.com\/v\/16O-mhorUCE&amp;hl=en_US&amp;fs=1&amp;\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p>&#8220;<em>Bygone Behemoth<\/em> is a stop-motion animated film chronicling a day in the life of an unemployed B-movie monster,&#8221; explained director Harry Chaskin, &#8220;a lingering personified special-effect of the 1950s. In an age overrun with CG, I conceived of <em>Behemoth<\/em> as a tribute to great traditional special-effects artists like Ray Harryhausen and Willis O&#8217;Brien. It also features a special appearance by WPIX horror icon, John Zacherle.&#8221;<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/bb-title.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-6437 aligncenter\" title=\"bb-title\" src=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/bb-title.jpg\" alt=\"bb-title\" width=\"480\" height=\"216\" srcset=\"https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/bb-title.jpg 500w, https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/bb-title-300x135.jpg 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/a><\/p>\n<blockquote><p><em>Bygone Behemoth<\/em> tells the story of a washed-up movie monster reliving his halcyon days.<\/p>\n<p>In an age where computer graphics are all too prevalent, the film is a nostalgic tribute to the work of Ray Harryhausen, Willis O\u2019Brien, and numerous other forgotten wizards. Like the <em>Behemoth<\/em> itself, the film needs stop-motion to exist; it seeks to capture the ephemeral quality of a dying art form.<\/p><\/blockquote>\n<p>Chaskin created the animation and handled the photography, fully involving himself in the Behemoth&#8217;s dilemma.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/Prod_7-2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-6435 aligncenter\" title=\"Prod_7-2\" src=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/Prod_7-2.jpg\" alt=\"Prod_7-2\" width=\"300\" height=\"450\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/112857048_300BB.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6432\" title=\"112857048_300BB\" src=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/112857048_300BB.jpg\" alt=\"112857048_300BB\" width=\"300\" height=\"300\" srcset=\"https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/112857048_300BB.jpg 300w, https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/112857048_300BB-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Chaskin was aided in creating the film by Daniel Walter, who composed the music, and <a href=\"http:\/\/www.setharmstrong.com\/\" target=\"_blank\">Seth Armstrong<\/a>, who created all the movie posters for the Behemoth\u2019s forgotten 50s films (as seen in the trailer above).<\/p>\n<p><strong>More Monstrous Retirement Activities<\/strong>:<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/Sequence-1-HD5-small.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-6436 aligncenter\" title=\"Sequence-1-HD5-small\" src=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/Sequence-1-HD5-small.jpg\" alt=\"Sequence-1-HD5-small\" width=\"480\" height=\"270\" srcset=\"https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/Sequence-1-HD5-small.jpg 800w, https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/Sequence-1-HD5-small-300x168.jpg 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/BB_1_HD-small.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6434\" title=\"BB_1_HD-small\" src=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/BB_1_HD-small.jpg\" alt=\"BB_1_HD-small\" width=\"480\" height=\"270\" srcset=\"https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/BB_1_HD-small.jpg 800w, https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/BB_1_HD-small-300x168.jpg 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/a><\/p>\n<p><em>Bygone Behemoth<\/em> looks like something very special indeed. Hopefully Chaskin will put it up online for all of us to see after it&#8217;s done the festival rounds.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/laureltub.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6443\" title=\"laureltub\" src=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/laureltub.jpg\" alt=\"laureltub\" width=\"459\" height=\"306\" srcset=\"https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/laureltub.jpg 459w, https:\/\/roberthood.net\/blog\/wp-content\/uploads\/2010\/02\/laureltub-300x200.jpg 300w\" sizes=\"(max-width: 459px) 100vw, 459px\" \/><\/a><\/p>\n<p><strong>Source<\/strong>: Harry Chaskin via Avery; <a href=\"http:\/\/bygonebehemoth.wordpress.com\" target=\"_blank\">Official website<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Apart from sitting in the bath and brooding, what do monsters do once they&#8217;re forced into retirement? Writer\/director Harry Chaskin tries to answer that question in his short film, Bygone Behemoth, which will be premiering next month at the SXSW &hellip; <a href=\"https:\/\/roberthood.net\/blog\/index.php\/2010\/02\/13\/the-monstrous-poignancy-of-being-a-stop-motion-monster\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[38,4,44,91,104,3],"tags":[159,158,160,157],"_links":{"self":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts\/6431"}],"collection":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/comments?post=6431"}],"version-history":[{"count":8,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts\/6431\/revisions"}],"predecessor-version":[{"id":6446,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts\/6431\/revisions\/6446"}],"wp:attachment":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/media?parent=6431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/categories?post=6431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/tags?post=6431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}