{"id":902,"date":"2008-05-30T19:28:59","date_gmt":"2008-05-30T09:28:59","guid":{"rendered":"http:\/\/roberthood.net\/blog\/index.php\/2008\/05\/30\/back-on-third-street\/"},"modified":"2008-06-02T06:49:33","modified_gmt":"2008-06-01T20:49:33","slug":"back-on-third-street","status":"publish","type":"post","link":"https:\/\/roberthood.net\/blog\/index.php\/2008\/05\/30\/back-on-third-street\/","title":{"rendered":"Back on Third Street"},"content":{"rendered":"<p>I&#8217;ve discussed <a href=\"http:\/\/roberthood.net\/blog\/index.php\/2008\/04\/01\/dreams-of-godzilla\/\" target=\"_blank\">before<\/a> the fact that Godzilla makes his first appearance since 2004&#8217;s <em>Godzilla: Final Wars<\/em> in  <strong>Always-zoku san-ch\u00f4me no y\u00fbhi<\/strong> [aka Always &#8211; Sunset on Third Street 2] (2007; dir. Takashi Yamazaki) &#8212; a comedy\/drama rather than a monster movie. Set in Tokyo in the mid-1950s &#8212; during the Showa period that spawned the original Godzilla &#8212; <em>Always 2<\/em> includes two minutes of kaiju destruction as Godzilla demolishes Third Street and zaps Tokyo Tower with his fire-beam. It&#8217;s only a dream-sequence cameo, but the effect is powerful:<\/p>\n<p><center><object width=\"425\" height=\"355\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/SEEXydQc9KE&#038;hl=en\"><\/param><param name=\"wmode\" value=\"transparent\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/SEEXydQc9KE&#038;hl=en\" type=\"application\/x-shockwave-flash\" wmode=\"transparent\" width=\"425\" height=\"355\"><\/embed><\/object><\/center><\/p>\n<p>On <a href=\"http:\/\/www.scifijapan.com\/articles\/2008\/05\/29\/godzilla-on-third-street\/\" target=\"_blank\">SciFi Japan<\/a>, the director of <em>Always 2<\/em>, Takashi Yamazaki, talks about his decision to include the Godzilla sequence and the issues involved.<\/p>\n<blockquote><p> \u201cThe reason to do this was \u2018Showa\u2019. I wanted to use Godzilla because the film was set during the Showa Period. At one time I wanted to make my own Godzilla movie, and I always felt that Godzilla and Showa could not be separated. That era is one of the most important factors of the Godzilla films. The atmosphere of that time\u2014 which still bore the scars of WWII\u2014 was so unique, and I thought I couldn\u2019t capture that kind of feeling in a modern setting. While it can be interesting to place Godzilla in the present day, something gets lost because this era is so different from Showa.\u201d<\/p>\n<p>\u201cGodzilla is such a big star that it was important to prepare the proper stage for him to perform. To me, that stage should be the Showa Period. I always wanted to use the historical background of Showa, and now I had the chance to make a movie set in the era I most wanted to see Godzilla in. That was a big reason why I used Godzilla in ALWAYS 2.\u201d<\/p>\n<p>\u201c[Godzilla] was a metaphor for war, the image of the mushroom cloud \u2026 Godzilla even entered Tokyo on the same route used by the invading B-29 bombers. I chose to have a terrifying Godzilla in ALWAYS 2 because he was created at a time when audiences were directly familiar with the War.\u201d<\/p><\/blockquote>\n<p>Below is  sculptor Syunsuke Niwa\u2019s model of Godzilla (called \u201cThird Street Godzilla\u201d or San-Chome Gojira), which was used to create the all-CGI monster &#8212; the first time this has been done in a Japanese Godzilla feature film.<\/p>\n<p align=\"center\"><a href=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2008\/05\/alwaysgodzilla-01.jpg\" title=\"Godzilla design model\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/roberthood.net\/blog\/wp-content\/uploads\/2008\/05\/alwaysgodzilla-01.jpg\" alt=\"Godzilla design model\" height=\"332\" width=\"457\" \/><\/a><\/p>\n<p>Read the full interview on <a href=\"http:\/\/www.scifijapan.com\/articles\/2008\/05\/29\/godzilla-on-third-street\/\" target=\"_blank\">SciFi Japan<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve discussed before the fact that Godzilla makes his first appearance since 2004&#8217;s Godzilla: Final Wars in Always-zoku san-ch\u00f4me no y\u00fbhi [aka Always &#8211; Sunset on Third Street 2] (2007; dir. Takashi Yamazaki) &#8212; a comedy\/drama rather than a monster &hellip; <a href=\"https:\/\/roberthood.net\/blog\/index.php\/2008\/05\/30\/back-on-third-street\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[12,4,44,11,62],"tags":[],"_links":{"self":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts\/902"}],"collection":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/comments?post=902"}],"version-history":[{"count":0,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/posts\/902\/revisions"}],"wp:attachment":[{"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/media?parent=902"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/categories?post=902"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/roberthood.net\/blog\/index.php\/wp-json\/wp\/v2\/tags?post=902"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}