Galactic Raiders

Still following the retro theme, here’s a very exciting project — one that is using stop-motion SFX to create its monsters. From all indications the small, independent film is looking a lot like the movies of master monster animator Ray Harryhausen.

Galactic Raiders (US [in post-production]; dir. Larry Arpin)

galactic raiders 1

galactic raiders 2

Galactic Raiders is a futuristic SF adventure, mostly set on a planet inhabited by dinosaurs (at least). The film’s new website gives this description of the story:

GALACTIC RAIDERS is an independently produced motion picture on 35mm film with Ray Harryhausen style of special effects.The story centers around Rymir (Danny Fehsenfeld), who’s girlfriend, Laura (Erica Howard), is kidnapped by Acastus (Elliot Eddie) and transported to another planet. On this ‘other planet’ is a powerful crystal, sought after by all peoples of the universe, including the Pharilleans, Acastus’ people. Also, on this planet is Rosanna (Moksha McPherrin), wife of…well, I won’t spoil it for you. Following Rymir to the ‘other planet’ are Cyrus (Joseph Arpin) and Bellus (Lloyd Lee Barnett), Acastus’ accomplices.

You can get cast and some production information on the website. If you enter the main site then run your cursor over to the right, a menu appears. Go to slide #12 (“Rymire vs Brute”) to see the sequence from which the screen caps above were taken.

The model work and effects are looking excellent and the standard of the production seems remarkably high. Arpin and his crew have been working on the film for some time. IMDB gives the “release” date as 4 July 2004, but the film is still in post-production and, according to the director (as of 22 March this year), is progressing “faster than expected, but is still a slow process”.

It’s looking good, Larry. Let us all know when it’s available as I’m sure there are many out in cyberspace eager for some new “Harryhausen”.

Via “Mattman” on the Kaijufile forums and Kaiju Search-Robot Avery

Posted in Dinosaurs, Film, News, Teaser | 8 Comments

More Retro Horror: Monster From Bikini Beach

This one has a relatively big non-CGI monster, lots of girls in bikinis, splatters of blood and bare breasts. The title, plotline, attitude, SFX, music and title font are all exploitation-deco gold:

Monster From Bikini Beach 1

Monster from Bikini Beach 2

Check out the trailer:

Monster From Bikini Beach NEW TRAILER

Via Robo Japan and Kaiju Search-Robot Avery

Posted in Film, Giant Monsters, Horror, Retro | 4 Comments

When There’s No More Room In Hell…

 It’s official! Zombies are the future!

Cemetery full, mayor tells locals not to die

BORDEAUX, France (Reuters) – The mayor of a village in southwest France has threatened residents with severe punishment if they die, because there is no room left in the overcrowded cemetery to bury them.

In an ordinance posted in the council offices, Mayor Gerard Lalanne told the 260 residents of the village of Sarpourenx that “all persons not having a plot in the cemetery and wishing to be buried in Sarpourenx are forbidden from dying in the parish.”

It added: “Offenders will be severely punished.”

The mayor said he was forced to take drastic action after an administrative court in the nearby town of Pau ruled in January that the acquisition of adjoining private land to extend the cemetery would not be justified.

Lalanne, who celebrated his 70th birthday on Wednesday and is standing for election to a seventh term in this month’s local elections, said he was sorry that there had not been a positive outcome to the dilemma.

“It may be a laughing matter for some, but not for me,” he said.

(Reporting by Claude Canellas, Writing by Andrew Dobbie; editing by Sami Aboudi)

So now there’s only one choice: you must become the living dead.

Story via Laura Goodin and Yahoo News Canada

Posted in News, Weird stuff, Zombies | Leave a comment

Sea of Dust

I don’t know whether this should be on the ghost or the zombie list, or if it’s just general supernatural mayhem, but the retro-’80s Euro-trash exploitation cinema look is interesting. Very tongue-in-cheek! Not surprising that Tom Savini is in it. A bit more surprising that Ingrid Pitt is, too!

Sea of Dust (US-2008; dir. Scott Bunt)

IMDB reference.

Posted in Film, Horror, Trailers | Leave a comment

Review: Prom Night (2008)

I saw the new Prom Night remake with Chris Barnes at a preview last night, which is odd as this is Australia and it doesn’t open in its home country until tomorrow. What did we do to deserve such treatment? My full review is on the Horrorscope website.

Prom Night (US-2008; dir. Nelson McCormick)

Reviewed by Robert Hood

This modern slasher-horror film opens with a deceptively clever scene that mingles “teenage” protagonist Donna’s memories of the murder of her parents with her fears regarding the killer. Now, three years later, on the eve of her end-of-school prom night, Donna is once again having nightmares about the psychotic ex-teacher with a murderous obsession for her. Inevitably, of course, despite re-assurances to the contrary, the killer escapes from prison and comes for Donna as the coming-of-age ritual begins…

I find the whole prom night schtick, at least as depicted in American movies, far more bizarre than most of what happens in your average fantasy film, dark or otherwise. I’m sure many Americans find it equally as strange. Basically it appears to involve rich kids being celebrity bitches or assholes [aka arseholes] and strutting about in $2000 gear while agonising over their about-to-be truncated future, investigating the meaning of skin disorders or having sex. Still, it’s at base an end-of-childhood fantasy and this new remake of the 1980s slasher film Prom Night starts off treating it as such. This approach is fine if we must have another film about 20-something actors and actresses pretending to be teenagers, because the film also starts off with a couple of decent scenes that suggest that it might have A Theme (to do with maturation, loss and coping with fear-induced anxiety) – and the two aspects have the potential to complement each other. After all, the writers even include the double-edged, prom-night slasher statement: “You’ll remember this night for the rest of your life!” Alas, however, the film only starts with these things. Somehow the vaguely intelligent thematic stuff gets forgotten, or at least muddled, along the way.

Frankly it’s easier to talk about the less-than-admirable things this remake doesn’t do than it is to talk about the admirable things it does do.

Read the full review here.

Posted in Film, Horror, Review, Slashers | 5 Comments

The Tripods Return!

In 1984 the BBC produced a children’s sci-fi series based on John Christopher’s The Tripods Trilogy: The White Mountains (1967), The City of Gold and Lead (1967), and The Pool of Fire (1968). The show, called simply The Tripods, has a legendary status in the minds and imaginations of many who grew up through the period — and indeed it survives quite well even now, despite relatively cheap production values and pre-CGI effects.

Beings known as the Tripods have conquered Earth and turned the human race into slaves by implanting everyone over the age of 14 with a mind-control device. 13-year-old Will Parker and his friends, however, plot to defeat the Tripods before humans are no more. (IMDB plot description)

The Tripods are giant three-legged machines that have destroyed the world’s cities and reduced humanity to a pre-industrial state, instituting a regime of mind control for purposes that are elaborated as the show progresses. Only two of the intended three seasons were ever made — and the second season at least has been elusive on DVD (though the full thing became available late last year). Attempts at the production of a movie version have cropped up from time to time, but nothing has been forecoming in that area to date.

Now, according the IMDB, a film is set to go into production. Intended to premiere in 2009, it is a US/Australia co-production and will be directed by Gregor Jordan. Let’s hope it happens. I didn’t see the show as a child in 1984, but have watched the first season on DVD as a grumpy old bastard in recent years. Despite superficial similarities to H.G. Wells’ War of the Worlds, the show’s post-invasion rural background and the social controls put in place by the invaders give it a completely different feel.

I haven’t been able to find any other confirmation, but will certainly update when I do.

For those who don’t know the original series, here is the opening of the first episode:

Posted in Film, Giant Monsters, Robots | 2 Comments

The Robo-Revolution Continues…

Or perhaps it’s the Takeover of the Toy Franchises that’s continuing…

The Hollywood Reporter has revealed that the Wow Wee’s Robosapien remote-controlled robot line is about to be fictionalised on celluloid by writers Avi Arad and Max Botkin. To be directed by Senn McNamara, the film is currently being called Robosapien: Rebooted. The plot goes like this:

Bobby Coleman will play a boy who befriends a robot on the run from malevolent corporate interests

Sounds suspiciously like an unofficial remake of John Badham’s Short Circuit (1986), which is itself being officially remade.

Anyway, Robosapien: Rebooted‘s director Senn McNamara also directed the Bratz movie, in case you find that encouraging.

Here’s some test footage:

By the way, it’s not really test footage. I was joking…

Posted in Film, Fraudulent information, Mecha, News, Robots | Leave a comment

Trust Me! You Want this Book

Scene: the dump. Errol is a toy pig; Dave is the narrator’s older brother. They are tossing away junk scavenged from the attic. The narrator gets nostalgic about one of the old toys…

For a moment I stood there, holding Errol fondly. Then I squeezed him, remembering the cheery oink-oink noise he’d make when you did that. The only sound that came out of him was a low burp. I tried it again. Nothing.

‘See?’ said Dave, his hairy nostrils widening as though he could smell something worse than the stench of the tip. ‘It’s useless.’

Suddenly I was angry at Errol. I’d been about to defy Dave and hold onto the old toy, but the stupid piece of junk didn’t even work any more. I rammed it into the bag, twisted the top and flung it out across the dump. As the bag arched through the air, everything spilled out. With an empty feeling in the pit of my stomach, I watched Errol tumble away from the rest and land on a filthy pile of garbage bags. Maybe it was childish, but it made me feel sad.

Then my attention caught on something poking from the sea of bags.

‘Dave,’ I said, ‘what’s that?’

‘What’s what?’

‘Looks like a hand.’ I swallowed, seeing clearly the bent and bloodied fingers.

‘Don’t be stupid! It’s probably a store dummy.’

As usual, he was wrong.

This is the beginning of “Abandoned” — my new YA supernatural-crime story that has just appeared in the anthology Trust Me! edited by Paul Collins and published by Ford St. Publishing. It involves murder, old toys and a ghost…

Trust Me! front cover

The amazing number of original stories, poems and illustrations included in the anthology represents a significant proportion of Australia’s children’s writers, poets and illustrators, as the listing on the back cover indicates:

Trust Me! back cover

The huge anthology offers examples of writing in a wide variety of the genres, with considerable cross-over tales as well. If you’re a young adult reader, or simply someone who enjoys reading good stories, you’ll want to get a copy for yourself. If you’re a librarian, you’ll need a few copies on your shelves (they won’t stay there unread for long!). If you’re a teacher you should have a class set…

The website even supplies free teaching material.

And anyway, don’t you want to know what happens in “Abandoned”?

Posted in Books, News, Reading, Update | 3 Comments

Bloodthirsty Dinosaurs!

Over at the Giant Monsters Attack blogspot, Mysterious Pants has discovered a wonderful set of trading cards that prove once and for all that dinosaurs were bloodthirsty giant monsters that would have brought about a general apocalypse if they hadn’t been wiped out by whatever cosmic disaster fortuitously came Earth’s way just before the Age of Mammals kicked in.

The card set, called Dinosaurs Attack!, was apparently released in 1988 in the wake of the better-known Mars Attacks! set (thanks Tim!) and was even considered as a suitable subject for transfer to celluloid at the same time as Mars Attacks! was produced. Didn’t happen though. Another lost gem! Can you imagine what it would have been like? After looking at the examples below check out the whole set and you get an idea of the overall plotline and sheer bloodiness involved.

Anyway, I couldn’t resist putting up a few of the cards myself and drawing your attention to the original site, and the work of creators Len Brown and Woody Gelman.

Note the extreme accuracy with which the dinosaurs are depicted as they engage in all the classic daikaiju activities (that’s irony, by the way).

Dinosaurs Attack! card 17

Dinosaurs Attack! card 19

Dinosaurs Attack! card 20

Dinosaurs Attack! card 23

As a potential “cat lady” myself (we have three cats … how many does it take before you’re officially a “cat lady”?), I particularly like this one:

Dinosaurs Attack! card 32

Dinosaurs Attack! card 35

This last one is a clear homage to Godzilla, as the film director looks suspiciously like Ishiro Honda, Gojira‘s director, and the actors on the left are clearly meant to be that film’s leads, Akira Takarada and Momoko Kôchi:

Dinosaurs Attack! card 42

Anyway, go check out the whole set. Fantastic!

I find it fascinating the way the set conveys a potentially complex storyline through a series of generic moments. Major plot “turns” are depicted by single cards and two or three words, with the work of interpretation largely left to the viewer. It’s a nascent art form in itself — albeit one that has never caught on all that much; a sort of stripped-back graphic novel.

Posted in Dinosaurs, Giant Monsters, Pictorial art, The Lost | 6 Comments

He Whose Limbs Shatter Mountains, Part 2

Fin Fang Foom on ther street
I was in Sydney’s Chinatown recently, negotiating a tiresome crowd of zombies, when I bumped into a tall, shuffling figure wearing a trenchcoat, scalf and hat, even though it wasn’t all that cold. It was only as I apologised and bent down to retrieve the guy’s fedora that I noticed the long green tail spilling out from his trenchcoat along the cobbled road behind him. I glanced up and realised I was having a Seredipitous Celebrity Encounter. It was the majestic Fin Fang Foom himself! The moment reminded me of a comic I’d read a while back — “How Fin Fang Foom Saved Christmas” by Scott Gray and Roger Langridge in Marvel Holiday Special #1 [you can read the whole thing here]. He wasn’t giant-monster size, not like he had been in Jack Kirby’s day, though he did tower over me.

“Sorry, Mr Foom,” I muttered.

“What, clumsy simian peasant?” he growled. “Dare you recognise me?”

“You’re a famous guy,” I said. “How could I not?”

He huffed, then declared, “Out of my way, revolting boil! Those who interrupt the mighty Fin Fang Foom in the course of his business end up as mere cinder smears on the nearest wall!”

And he strode off, pushing the hapless crowds out of his way. I watched him go, cursing my lack of journalistic aggression. I could have interviewed him! What a coup that would have been!

But my luck held. After finishing some business, I went to the crowded yum cha restaurant I often frequent for lunch when visiting the metropolis; the waiter said they only had a seat way down the back — and looked sheepish. I checked out the spot… and there was Fin Fang Foom himself, isolated, as patrons had left a large clear space all around him. His imperious manner and fire-breath seemed to daunt them. Not me. I barreled up to a hastily vacated table right next to Foom and made myself comfortable. He shot me a scathing look.

“You!” he hissed.

“Me!” I replied.

“Those foolish enough to hound the great Fin Fang Foom are doomed to meet a hideous and gruesome end!”

“Sorry,” I said. “It was just a coincidence. But I’d love to interview you! Can I?”

His eyes blazed. “Interview me? Those who dare to seek an interview with the magnificent Fin Fang –“

“I have a blog,” I interrupted. “Undead Backbrain. I write about giant monsters, zombies… that sort of –“

“I’ve read it. I read it all the time. Complete rubbish. But, yes, you may interview me.”

“I wish you’d reconsider … what did you say?”

“You can interview me. It’s lucky you got me in a cheery mood.”

I grinned, thrilled by my good fortune. “So why are you in such a cheery mood?”

“Ahh!” He patted his vast green belly. “I just had a top-notch entré.”

“Pork buns or fried squid?”

“The waiter.”

Hmmm. I knew that would lead to trouble, so decided to get stuck into the questions straight away, before the army turned up. I signaled for food to keep Foom happy — and he chewed on his second waiter while we talked.

Backbrain: Are you in Sydney for a holiday, Mr Foom?

Foom: Call me … [he uttered a cacophony of syllables totally impossible to either pronounce or transcribe]

Backbrain: Sure thing, Mr… umm …

Foom: Foolish mortal! Do you think I’d visit this cesspool of convict peasantry on a mere whim? I’m here on business.

Backbrain: What sort of business?

Foom: If I told you I’d have to gouge out your intestines and use them to strangle your brains.

Backbrain: OK, forget I asked. Still, it’s great to have you visit our shores.

[Foom glanced around at a woman sneaking past on her way to the loo.]

Foom: Why does everyone cringe away from me, even when I’m not trying to pull off their legs? Am I that scary?

Backbrain: Maybe you should’ve worn your purple shorts.

Foom: Bah! Those shorts are an atrocity drawn on me by the mediocre talents I’m forced to work with! Are you so parochial that pant-less dragons are uncommon here?

Backbrain: Not at all. We’re visited by big reptilian celebrities without any sort of clothing all the time. Godzilla was here a few years back making a picture. He totally trashed the Opera House. Totally gone!

Foom: Lie not to me, foolish cretin! I saw the Opera House as I flew in this morning.

Backbrain: I’m afraid that’s just a cardboard façade. They’re rebuilding it but it’ll take a while.

Foom: A few years ago, you say? Does it take them so long to re-construct the city? Tokyo does it in mere weeks.

Backbrain: They get a lot of practice.

Foom: True.

Backbrain: Have you ever worked with Godzilla?

Foom: Why would I want to? Calls himself “King” when there’s no royal blood in his veins at all. Sheer arrogant pretension. For a while he was contracted to Marvel, as I am. They wanted us to slug it out in … Chicago, I think it was, or Philidelphia. But I refused. Godzilla’s breath is appalling! I can’t talk to him at all. Every time I try all he does is roar inarticulately.

Backbrain: What’s it like to work with the superheroes — Spiderman, Thor, Iron Man…

Foom: Pitiful cringing dolts, all of them! Not so much superheroes as superzeroes. The company only brings me in when those talentless hacks are losing the plot. I’ve saved them all many times.

Backbrain: But you always lose!

Foom: Censorship! It’s a problem I face every single time. They have to win, the pathetic worms. Their so-called public image demands it. No one wants to hear the truth.

Backbrain: So why do you do it?

Foom: Even an ancient dragon needs money. Where else am I going to find work? It’s either comics or being a waiter in a Chinese restaurant.

Backbrain: A waiter?

Foom: I tried it back in the early days. Customers are so rude. I kept losing my temper. I burnt Constantinople to the ground. Twice. Then there was that time in London…

Backbrain: Can I ask: why are you so small now? I recall a time when you were gigantic!

[He reared back and was suddenly over 15 feet tall. His back gouged holes in the ceiling.]

Foom: I can be any size I please. It’s a matter of …. [All around us people are screaming and running for the doorway.]

Backbrain: Sorry? I can’t hear you.

Foom [shouting across the ruins of the restaurant]: BE SILENT, YOU FOUL INSECTS! THOSE WHO WOULD DROWN OUT FIN FANG FOOM’S WORDS WILL MEET AN IGNOMINIOUS END!

[His voice was so loud it caused what was left of the roof to collapse. I dragged myself out from the wreckage. Foom was now towering some 60 feet above me. I could hear the jets coming in the distance.]

Backbrain: Perhaps we could continue this interview some other time.

Foom: Perhaps. I have an appointment now anyway. [He bends down, so his gigantic face is close to my ear.] Listen, can you please give me directions to the Fox Studios?

Backbrain: Fox? Sure. Does that mean we might expect to hear about a movie deal one of these days?

[Foom laughs, rearing into a sky-shattering howl.]

Foom: If I told you I’d have to peel your flesh from your bones and shove the whole lot down your gullet to stop you from talking!

Backbrain: Right. Forget I asked.

I gave him directions. As he flew off into the sky, the jets arrived and began firing their rockets at him. He used the Harbour Bridge to gain added momentum and the whole structure twisted into a vast metallic pretzel as he pushed himself southward. It was quite a show. Dozens of tourists whipped out their camera phones and filmed it. Did you see it on YouTube? It was only up for a short time. Marvel and Fox’s lawyers made them remove the footage soon after it went online, claiming the images were some sort of infringement of copyright.

Oh well! I found a chair that wasn’t too wonky and grabbed some chicken legs from the food trolley.

Tasted fine, once I’d blown the dust off.

____________________________

Note: You can read more about Fin Fang Foom in Part 1 of this article here.

Posted in Article, Comics, Fraudulent information, Giant Monsters, Interviews | 6 Comments