New: Serpent Wars

Along with a collected edition of the Kong: King of Skull Island comic series, Markosia Enterprises has just announced the release of Serpent Wars:

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Written by Christoff Rodriguez and Chris Campanozzi, with art by Antonio Rojo, Serpent Wars is set in the 1800s. When a young scientist’s apprentice stows away onto the warship of a British Lord, in order to prove that there are sea creatures downing ships off the shores of South America, his voyage leads to the discovery of a mysterious hidden island “where an ancient race is witness to the epic serpent gods who are now locked in a battle that could decide the fate of mankind”.

Publisher Harry Markos described Serpent Wars as “an absolute must-read”:

The story is based closely around South American myths and legends so you’ll see some fantastic characters. Monsters, magic and mayhem all round! We’re also delighted that industry legend Howard Chaykin will be writing an introduction, which speaks volumes for the project. (Markosia webpage)

Be that as it may, the 128-page graphic novel looks monstrously entertaining.

Trailer:

Posted in Comics, Dragons, Giant Monsters, Graphic novels, News | Leave a comment

King of Skull Island Newly Released

Persistent rumours that a film version of Joe DeVito (artist) and Brad Strickland’s illustrated novel Kong: King of Skull Island is underway were confirmed on the Ray Bradbury panel of the San Diego Comicon last July — though when it is due is still uncertain. But ahead of the film’s appearance, Markosia Enterprises has this month released the five-issue comic version of the tale as a complete 144-page graphic novel, with new art and abundant giant-monster mayhem.

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The graphic novel adaptation is by Andy Briggs and Chuck Saterlee, with art by Dan O’ Connor and Scott Larson, colors by Kris Johnson and Richard Counsell. Published by AAM/Markosia October 2009.

Synopsis:

The story begins in 1957, twenty five years after King Kong’s fall from atop New York City’s Empire State Building. Following Kong’s death, both Carl Denham and the body of Kong quickly vanished before any investigation could be launched, leaving rumor and speculation in their wake. Carl’s son, Vincent, was left behind. He is now a paleontologist facing a spiritual dilemma, which has its seeds in the disappearance of his father. Upon a chance finding of the hidden Skull Island map, Vincent contacts Jack Driscoll, one of Kong’s original captors. They piece together a plan and go to Skull Island in search of Carl Denham, King Kong, and an answer to questions spanning a quarter century.

During a disastrous landing attempt, Vincent is almost killed and Driscoll sets out to find his stricken friend. Upon waking in a dark cavern, Vincent finds himself being cared for by an enigmatic island elder and her young, exotically beautiful but ominous assistant, Kara. The ancient woman, who asks to be called “Storyteller,” seems to possess extraordinary knowledge about Vincent and his father. She relates a story from a century earlier that Vincent half-hears and half-dreams through the haze of narcotic herbs kept burning to aid his recovery. Her tale hints at the true origin of the island’s culture and the mystery behind questions such as: Who built the Wall and how? If the Wall was built to keep Kong out, why are its doors big enough to let him in? How could such an island and its monstrous creatures still exist? The answers to those questions and more are all revealed.

Or are they?

While the Storyteller’s tale is sometimes confirmed, it is often refuted by the sights and experiences of Jack Driscoll. He stumbles upon pieces to Skull Island’s primordial history as he struggles to survive the various threats of the island and find his friend. When Driscoll and Vincent reunite, their experiences combine to determine just who the Storyteller and Kara are, what became of Carl Denham, the story behind King Kong and clues to the origins of Skull Island itself. As a result, their lives are all changed forever.

As the story unfolds against a fantastic prehistoric backdrop, woven throughout are themes of personal redemption and reconciliation. All the protagonists have a particular cross to bear: Vincent is on the brink, both emotionally and spiritually; Driscoll comes face to face with past fears and prejudices; in the wake of Kong’s death, the lives and culture of the islanders themselves hang in the balance; and we find that Carl Denham’s desperate attempt to assuage his conscience decades earlier had very unexpected consequences…

Mysteriously, everyone is inextricably bound to the Storyteller’s ancient tale. It tells of Islanders Ishara and Kublai, and their quest to escape a terrible fate which threatens both themselves and their people. That struggle has the power to reach across time and change the destiny of all – if they survive. For at the nexus of every event is the beast-god of Skull Island: KING KONG. (Supplied by publisher)

Publisher Harry Markos commented: “We have spent the last six months or so working on some significant improvements to art and colors and it looks great. Artist Scott Larson in particular has done an amazing job.”

Undead Backbrain has been supplied with some examples of the new artwork. Below are OLD and NEW examples of key pages (click to enlarge):

Old Issue 3, pages 14 and 15:

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New Issue 3, pages 14 and 15:

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Old Issue 3, pages 16 and 17:

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New Issue 3, pages 16 and 17:

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Issue 4, page 15: Old (left) and New (right):

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Issue 5, page 1: Old (left) and New (right):

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Issue 5, page 7: Old (left) and New (right):

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Below are the covers of the original (and still available) comics in the mini-series. There are two versions of each (except for issue 0), the standard cover and a Special Edition cover (click to enlarge):

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comic10_e54K#1ORIG. comic10_e53KONG#1S.E.

comic10_e50KO.#2.OR. comic10_e49KO.#2S.E.

comic10_e28KO.#3.OR. comic10_e27KO.#3.S.E.

comic10_e19KO.#4.OR. comic10_e18KO.#4.S.E.

comic10_e39KO#5OR. comic10_e38KO.#5S.E.

You can read the first 22 pages of the graphic novel below.

Myebook - Kong: King of Skull Island - PREVIEW - click here to open my ebook

In the UK bookstores Kong: King of Skull Island can be ordered direct through Bertrams Booksellers using the ISBN 9781905692347.

Individuals can approach any Comic Shop in the UK, USA and Australia who can order this item using the code AUG09 0603 through Diamond Distributors. Alternatively it is available for sale worldwide direct from Markosia’s website.

Markosia Enterprises has simultaneously released an original graphic novel featuring giant beasties — The Serpent Wars. But that’s another story….

Posted in Dinosaurs, Giant Monsters, Graphic novels, Horror, Update, Where's the Film? | Leave a comment

Face the Faces

Faces only an undead mother could love!

I’m not sure what to make of this one, but with Halloween upon us this weekend it seems appropriate to highlight one of the oddest horror DVD releases I’ve seen for a while. Will it be good? That’s hard to say, but it certainly exhibits a weird fascination that may just provide the perfect background to a gruesome Halloween party or for a cathartic evening alone in front of the telly as an alternative to suicide.

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MESOZOIC, INC., the company responsible for the upcoming scifi horror film Alien Grey: Zone X have just released their first feature-length film. It’s called Faces and it was co-executive produced by Thomas R. Dickens (who also directed) and his brother Jeff. A sort of very weird and grotesque performance art film, Faces offers up a pair of ghoulish, monstrous and scary characters who mug for the camera, growl, sprout philosophy and regurgitate creepy-crawlies from their mouths.

If “Waiting for Godot” had a baby with “Dawn of the Dead” this would be that brood. A must-see exhibition of strange, monstrous, and at times silly ghouls. “The Bomb” at party time, Halloween, or any time you need that something that is totally unlike anything else. Patently non-commercial aesthetically, “Faces” is flat out non-apologetic… and… “In Your FACE!” (DVD cover blurb)

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Synopsis:

Two Ghouls make scary faces, some to scare, and some for laughs. They live in darkness, and challenge the living to — think. Sometimes they wish to spread fear, other times they are involved in near-slapstick comedy, and at times get into deep discussion on nearly any topic, all the while riding the edge of sanity! In the end they come to realize truths about their friendship. (IMDb)

Director Thomas R. Dickens commented to Undead Backbrain:

I know there is a lot of competition out there these days for our entertainment time, but I really hope everyone gives this film a chance, as if they do they could really get a scare as well as a laugh.  It is best to give the film some time (it is 80 minutes long) and give it a full watch, trying not to compare it to anything you’ve ever seen.  I hesitate to describe it, preferring that people view it for themselves.  It has elements of horror, creepiness, comedy, gothic darkness, and performance art.

What it looks like to me is Andy Warhol slipping right over into hellish insanity.

Full Theatrical Trailer:

According to the director Faces is full of surprises and takes turns you would not expect. “It’s Terror, It’s Comedy, It’s Drama, It’s Art! It’s Brand New and It’s Different than anything you’ve seen! Best seen with a date or friends, but great viewed alone as well! It’s Awesome!”

I think Faces will do great in Europe and Japan/Asia as well. It just has to be given a chance to prove itself as a Modern Cult Classic that is a lot of fun. Also, if it does well, we have plans for a sequel all ready.

This film will be a “Cult Classic” and is unique. It has a bit of a “Gothic” theme. At times horrifying, humorous, and even philosophical. It is frightening but not violent. It will be great for Halloween time, but really great for any time. Once this “Indie Film” catches on and goes viral there will be no stopping it. There is no comparison to “Alien Grey: Zone-X” which is Independent, but with a much more “commercial” angle (and is still in post-production, seeking Post Production Finalization Investment). “Faces” is more avante guarde and non-commercial in the sense of being nothing like a Hollywood Picture. But it is entertaining and has charm, and once you start watching it, if it is your thing, you will be riveted. There are parts in which the screening audiences were frightened, and others where they laughed out loud. As far as I am concerned ANYTHING that can make you laugh is a good thing.

Pre-Release Teaser:

Faces can be found on Amazon, but it is also available on DVD, Blu-Ray, and VOD (as well as director-signed versions of the DVD and Blu-Ray) on the Official Site, which also contains various links and trailers, such as:

Posted in Film, Horror, Independent film, Weird stuff | 1 Comment

Mummies, Pteradactyls and Luc Besson

There is something extraordinarily appealing about retro scifi and fantasy tales set in an historical context, introducing monsters and steampunk technology into what is an otherwise familiar past. The Indiana Jones films drew on that appeal — as did The League of Extraordinary Gentlemen, which was superb as a graphic novel and then became a dismal movie that completely failed to capitalise on its own inherent conceptual qualities. Upcoming historical “re-creations” such as War of the Worlds: Goliath and more significantly the Asylum’s take on Sherlock Holmes, which is set to include a slew of “enormous monsters” attacking good ol’ nineteenth century London, are all part of an appealing trend — as would be WW2-based War Eagles if only Willis O’Brien’s long-unrealised but constantly re-mooted project would actually manage to become a reality. Perhaps the highly anticipated Tintin films to be directed by Peter Jackson and Steven Spielberg are part of this sub-genre.

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Now it looks as though the French are up for some of the same sort of action. Luc Besson of The Fifth Element, The Professional and La Femme Nikita fame is currently in post-production of the first film in a planned trilogy, based on the adventures of Adèle Blanc-Sec, a female journalist in the 1920s (and beyond). The lovely and vivacious Adèle is the creation of comic artist Jacques Tardi and in the course of her extraordinary adventures she isn’t averse to dealing with reanimated mummies, rampant dinosaurs, demons from hell and other super-normal conspiracies.

Les Aventures Extraordinaires d’Adèle Blanc-Sec [aka The Extraordinary Adventures of Adele Dry-White] (France-2010; dir. Luc Besson)

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Courtesy of Twitch, here is the promotional description of the project that appeared on the American Film Market listing:

The year is 1912. Adèle Blanc-Sec, an intrepid young reporter, will go to any lengths to achieve her aims, including sailing to Egypt to tackle mummies of all shapes and sizes.

Meanwhile, in Paris, it’s panic stations! A 136 million-year old pterodactyl egg on a shelf in the natural history museum has mysteriously hatched, and the bird subjects the city to a reign of terror from the skies. But nothing fazes Adèle Blanc-Sec, whose adventures reveal many more extraordinary surprises…

Set in the carefree world before World War I, Adèle Blanc-Sec’s adventures see the brave young woman fearlessly battling crooks, corrupt politicians, demon worshippers and mad scientists. Legendary cartoonist Jacques Tardi’s original stories perfectly recreate the intrigue, romance and excitement of one of the most tumultuous periods in history.

Jacques Tardi’s comic series began 1976 with Adèle et la bête (Adèle and the Beast), the latest being 2007’s Le labyrinthe infernal. There have been nine Adèle adventures so far:

  1. Adèle et la bête (Adèle and the Beast) (1976)
  2. Le démon de la tour Eiffel (The Demon of the Eiffel Tower) (1976)
  3. Le savant fou (The Mad Scientist) (1977)\Momies en folie (Mummies on Parade) (1978)
  4. Le secret de la salamandre (The Secret of the Salamander) (1981)
  5. Le noyé à deux têtes (The Drowned Man with Two Heads) (1985)
  6. Tous des monstres! (Monsters All!) (1994)
  7. Le mystère des profondeurs (The Mystery of the Abyss) (1998)
  8. Le labyrinthe infernal (2007)

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The Franco-Belgian humour and sensibilities that run through Adèle Blanc-Sec’s work seem reminiscent of Hergé’s Tintin adventures, though with a more “adult” perspective that focuses on “themes of the occult, corruption, official incompetence, and the dangers of patriotism” (Wikipedia entry). It’s more than likely that actress Louise Borguin will bring a feisty sexiness to the role that can only augur well for Besson’s trilogy of films — which must inevitably involve tentacles!

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tenticle destroy train cars

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At any rate, Besson’s The Fifth Element is one of the most visually rich and inventive films in cinematic history — and as displayed by The Professional and La Femme Nikita, he knows how to do action with a strong human basis to it. I find myself feeling really excited by the prospects for this one.

Gallery:

Posted in Comics, Demons, Dinosaurs, Film, Giant Monsters, Retro | 3 Comments

Yatterman: The Movie

Costumed superheroes and sexy super-villian. Semi-mechanoid mutant henchmen. Huge mechanical dog. Giant robots. Rampant dinosaurs. Nuclear holocaust. Japanese pop songs. Weird dance routines. Takashi Miike.

What more can I say?

Yatterman [aka Yattâman] (Japan-2009; dir. Takashi Miike)

Trailer:

Trailer 2:

Synopsis:

Gan (Sho Sakurai [Arashi super-fame]), the only son of the owner of Takada Toy Shop, and his girlfriend, Ai (Saki Fukuda), are inseparable. They build Yatterwoof, a dog-shaped robot that shares their will, and together with a small robot named Toybotty, they form a fighting team to protect world peace. So, they are our heroes, YATTERMAN 1 and 2! Meanwhile, Doronjo (Kyoko Fukada), the sexy female boss of the Doronbow Gang, and her henchmen, genius mecha designer Boyacky (Katsuhisa Namase) and brawny Tonzra (Kendo Kobayshi), are hoaxed by the mysterious Skullobey to find the Skull Stone, which is said to realize any wish. But now [the] Skull Stone [has] been split into four pieces and lost over the world. When Gan and Ai learn of the Doronbow Gang sinister plot, they stand up against the villains and use their various mechas to foil their plans. (Promotional material)

Yatterman: The Movie is based on the anime series Yatterman, which was the creation of Tatsuo Yoshida (founder of Tatsunoko Productions: Speed Racer, Battle of the Planets and others), racked up 108 episodes between 1977 and 1979 and was revived to great success in 2008. I’ve been reading some great reviews, but I’ll quote from the one I like best — Bob Doto’s review on QuietEarth:

YATTERMAN is hilarious. YATTERMAN is massive. YATTERMAN is you plunging into Willy Wonka’s chocolate factory if ten other Willy Wonka factories were superimposed on top of the original factory and each new superimposition was violently vying for sugar-coated supremacy. Explosions, electricity, weird dancing sequences, discount wedding dresses, over-sized sushi, under-sized brains, robot fish going through puberty as a means of defeating enemies, “titty missiles,” miniature Thievery Gods, and mechanical dogs having orgasms. Get the picture? Skulls, villains, puppy love, dry humor, slapstick humor, dark humor, bright colors, bad animation, great animation, cartoon animation, live action. This is what we’re dealing with here. Maximalism at its most toy-robotic.

“Maximalism at its most toy-robotic”! Excellent!

yattaman

Yattaman_1

Posted in Film, Giant Monsters, Robots, Superhero, Toys, Trailers | Leave a comment

Demeking Plummets to Earth!

In Godzilla’s absence, it’s good to know that Japanese daikaiju en masse haven’t forgotten to make an occasional excursion to the Big City. We’ve had news of an Ultraman movie, then there’s the exciting discovery of Daisuke Sato’s The Fog Horn, and re-builds of the monstrous Angels and opposing bio-mecha of Evangelion — to name a few of the more prominent. But one potentially exciting giant has hitherto slipped the Backbrain’s radar. In March this year, Demeking made an appearance in Japan, heading for Tokyo with all the enthusiasm of a rabid urban re-developer.

Demekingu [aka Demeking; Space Monster Demeking] (Japan-2009; dir. Kôtarô Terauchi)

Demeking-poster

Synopsis:

Set in a dreary port town in 1970, the story revolves around a group of boys led by the older Kameoka (Kohei Kiyasu) who form their own exploration group. One day Kameoka meets a strange man named Hachiya (Takeshi Nadagi) who works at the local amusement park. Hachiya is convinced a vision of the future he experienced is real, and one day he will have to fight a giant monster called Demeking to stop it from destroying Tokyo. When the time comes, Hachiya suddenly up and leaves. However, with the guidance of a note he leaves behind, Kameoka and his friends set off on an adventure to discover the true nature of Demeking. (Nippon Cinema)

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Demeking01

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directorThe 99-minute live-action movie adaptation of Takashi Imashiro’s popular 1991 manga — an inspiration behind aspects of Naoki Urasawa’s 20th Century Boys (which has also been filmed of late), or so it has been said — was directed by Kôtarô Terauchi (pictured at left). Terauchi also wrote and directed the sequel to Kôji Shiraishi’s Kuchisake-onna [aka A Slit-Mouthed Woman] in 2008 — based on a creepy urban legend about a ghost woman with a grotesque mouth. Demeking stars Manami Honjou (The Handsome Suit), Guts Ishimatsu (Blood), Kohei Kiyasu , Takashi Matsuo (Gamera: The Guardian of the Universe; Japan Sinks!; The World Sinks Except Japan), Takeshi Nadagi , Hiroshi Yamamoto (Exte: Hair Extensions), and was filmed around the city of Kamogawa (see on-location pics below).

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Two trailers and a teaser have been released so far.

Teaser Trailer:

Trailer 1:

Trailer 2:

The theme song heard in Trailer 2 is by pop group Pe’zmoku. It hit the Japanese charts as a single and the DVD and Music CD are already available in Japan.

The Monster:

So what of Demeking itself? The trailers are rather careful not to show us the monster, though the image of its footprint can be seen as a full-size drawing surrounded by suitably tiny people. This image plays a big part in the film’s advertising, second only to the helmet, dark-glasses and bikie leather of Hachiya (Takeshi Nadagi).

footprint

From the trailers we can determine that Demeking comes to Earth as a meteor that lands in Tokyo harbour, whereupon it swims ashore to the consternation of a group of fishermen, one of whom decides to stand and gawk at it instead of fleeing.

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And the monster clearly has some sort of radiation beam-weapon that it uses on its victims.

In fact, Demeking appears to be a hybrid critter, combining the long neck, toothless mouth and stalk eyes of a snail with a rough, spiky, slightly reptilian, asteroid-like body. It is bipedal and has a tail. The images below (in order: an animatronic model of its head, t-shirt design, reflections in Hachiya’s glasses and rampaging on the DVD cover and on the poster that follows it) can be scoured for hints.

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The film is currently available in Japan on DVD. That’s the good news. The bad news is, of course, that it does not have English subtitles. Hopefully, we’ll see a release in the West before too long.

Gallery (with more posters and images):

Addendum:

Demeking‘s Camera Car:

Posted in Daikaiju, Film, Giant Monsters, News | 9 Comments

Wavebreaking with Jules Verne in Sweden

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Vågbrytare or “The Wavebreakers” is a short (14:30 min.) film by a bunch of crazy Swedish guys — and it looks like lots of fun. Based, perhaps rather distantly, on Jules Verne’s classic undersea adventure 20,000 Leagues Under the Sea, it is described by its creators from Millroad Films as “a captivating underwater drama with adventure elements”. It shares something with Rosencrantz and Guildenstern Are Dead, Tom Stoppard’s play re-telling Hamlet, in that it takes the focus from the central characters of the original narrative and gives it to the little people — the ones assigned to the background, often ignored by the needs of the plot.

Instead of re-telling the original story with its charismatic heroes, Vågbrytare tells the story of the book’s silent supporting roles — in this case, the crew aboard the legendary submarine [Captain Nemo’s vessel, the Nautilus]. These men are totally anonymous, both in the book and in all the screen versions. The idea of Vågbrytare was to let these nobodies make an impact, to let them tell us of their experiences. In short, to give voice to the silent ones, to those neglected by literature. (Translated from the website)

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“It is more of a drama with focus on boredom and anxiety than an adventure film,” director Daniel Lennéer told the Backbrain.  “But yes … It has a giant octopus!”

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According to the creators:

Chronologically, the events of the film are set after the events in the book, making it a sort of sequel. Of course you do not need to have read the book to see the movie. On the other hand, perhaps your understanding of certain features increases if you are familiar with the source material. Our aim was to make a timeless interpretation by the Jules Verne story. Vågbrytare mixes 18th Century aesthetics with fascinating science-fiction ideas to create contrast and make it difficult to tell when it is set. Vågbrytare is timeless. It takes place in the past, the present and the future.

Vågbrytare was written, directed and edited by Daniel Lennéer. Richard Svensson (aka The Lone Animator) contributed to model building, animation and designed props (or as the director put it: “he made the gigantic octopus, the tentacles, the steampunk helmet and Nemo’s electric vibro-sword  — everything with nerd-value …”), while Christopher Johansson (CJFilm) filmed much of the material and created all the music. The actors were drawn from their friends and acquaintances.

Trailer 1:

The film was shot in Ronneby, Karlshamn and Lerdala metropolitan area, mainly in spring and summer of 2008 and was completed in March 2009. “Post-production dragged on somewhat because there are many segments containing special effects,” said Lennéer. “A large part of the material for the film was shot against green cloth with backgrounds and objects added afterwards.” You can get some idea of how it was done in the Making Of documentary below.

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Trailer 2:

SFX Making-Of Short (in Swedish, but you can get the idea):

Lennéer (and Millroad Films) has also just completed Jordgömda (english title: “Earthbound”) — a 10-minute silent Lovecraftian parody.

Jordgömda Teaser Trailer:

Both films are on DVD. “Vågbrytare [The Wavebreakers] — The special edition takes you deeper” DVD contains both the movies and a lot of special features around them. Commented Lennéer: “Remember that MRF is truly independent and very low budget. The copies are limited and are DVD-Rs — though the package is nice.”

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He added:

Unfortunately these films are currently only available in Swedish and without subtitles, but we are working on English subtitled versions for our international fans. I’ve made a few short films in English, but I usually prefer to use my own language. The dialogue and text sounds better and a little bit less cheesy.

Further clips for both films (and other Lennéer productions) can be viewed on his YouTube Channel.

Below is a Gallery of Images from Vågbrytare:

Addendum: SFX Making-Of Short for Jordgömda (Earthbound):

Posted in Film, Giant Monsters, Giant Squids, Independent film, News, Science Fiction | 2 Comments

American Godzilla: The Graphic Novel

Artist Todd Tennant — midway in his ambitious task of converting the abandoned 1994 screenplay by Ted Elliott/Terry Rossio for director Jan De Bont’s US Godzilla film into a graphic novel — has just renovated his poster for the project (which features Godzilla and the King’s enemy The Gryphon) according to recent production art discoveries.

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Click on the image to enlarge it

Now, if you haven’t already done so, go to the website and start reading the graphic novel. It’s free and its superb.

  • Source: Todd Tennant
Posted in Daikaiju, Giant Monsters, Godzilla, Graphic novels | Leave a comment

Yokai Scroll Discovered

eBay is becoming something of an archeological treasure ground for film memorabilia relating to such cultural artefacts as the unmade 1994 US Godzilla film, War Eagles (the lost film of Willis O’Brien) and other giant monster remains. Now Boing Boing reports that a rare Japanese scroll containing a veritable wealth of Yokai-related imagery is up for sale.

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The scroll contains an lengthy array of weird and wonderful creatures as though forming a “long march” — which is apparently exactly what it represents. Boing Boing asked Matt Alt, author of Yokai Attack!, about the imagery and this is what he said:

The Haykki Yako (百鬼夜行), literally “the night parade of a hundred demons,” is one of the most famous tales in Japanese folklore. It first appeared in a Buddhist text in the 13th century, and is the story of a nightmarish evening during which legions of yokai, oni, and other fearsome creatures erupted from their usual hiding places to openly terrorize the world of the living. According to one version, they paraded down Kyoto’s Ichijo-dori avenue in the late 1100s. The Hyakki Yako (also spelled “Yagyo”) inspired countless generations of Japanese artists, including Toriyama Sekien, who penned an influential series of yokai guides in the 1770s; woodblock artists of the 1800s; and manga masters such as Mizuki Shigeru in the 20th century. (Boing Boing)

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Yokai are amongst the strangest of the the world’s cultural spirit imaginings and this scroll gives a fair insight into their über-strangeness. It naturally has its share of “tsukumo-gami,” or “artifact-spirits”. These are bizarre creatures formed out of household objects, imbued with a sentience that would definitely be unsettling in real life. The most famous is perhaps the “Umbrella Monster” that featured in The Hundred Monsters, here re-created as a fiberglass sculpture by Colin Christian.

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Here are some that appear on the scroll:

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Those interested in seeing the yokai in action on film couldn’t do better than viewing the famous Showa era trilogy Yokai daisenso [aka Big Ghost War; Spook Warfare] (Japan-1968; dir. Yoshiyuki Kuroda); Yokai Hyaku Monogatari [aka The Hundred Monsters] (Japan-1968; dir. Kimiyoshi Yasuda), and Tôkaidô obake dôchû [aka Along With Ghosts] (Japan-1969; dir. Yoshiyuki Kuroda) — or Takashi Miike’s more recent Yokai daisenso [aka The Great Yokai War] (Japan-2005; dir. Takashi Miike).

If you have a spare $15,000 or so, you could go and bid on the wonderful scroll (just followed the link below). Otherwise, here is a gallery of the images kindly placed on eBay by the seller.

Gallery:

Posted in Ghosts, Japanese, Monsters in general, Pictorial art | 2 Comments

Carradine Takes on the Giant Reptiles

He may have left the building last June, albeit rather unexpectedly, but legendary genre actor David Carradine will still be starring in quite a few movies over the next year or so, at least according to the number of “post-production” projects listed on the IMDb. One of these upcoming films (still appearing under the now-abandoned title Volcanic) is Jim Wynorski’s giant-things-wrestling-each-other TV flick Dinocroc vs Supergator. The Backbrain provided a few pics a while back, but has since acquired more of them courtesy of the director, including shots of the late Mr Carradine at work — looking like he’s rather enjoying himself, actually. Scotch and a simultaneous blood-pressure reading… Hmmm.

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The following sequence follows on from the images in the previous Backbrain article. Note that one of them is a CG production image. [These pictures are large — so click on them to view them full-size.] I like the guy who appears to be praying to some divinity or other — to no avail, alas:

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And just in case you thought the movie was all giant water reptiles and ageing genre veterans, here’s some of Carradine’s less craggy co-stars:

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dinocroc-meal

You definitely need to click on this line-up to study the menu in detail:

DinoCroc_Supergator_Cast

Dinocroc vs Supergator will be premiering on the Syfy Channel at some as-yet-undisclosed juncture.

  • Sources: Jim Wynorski; Vá e Veja; via Kaiju Search-Robot Avery
Posted in Film, Giant Monsters, Update | 3 Comments