The Host 2: First Footage

We’ve known for some years that a sequel to the excellent South Korean giant monster film The Host [aka Gwoemul] (South Korea-2006; dir. Joon-ho Bong) was on the way, but now you can see the first footage from the film — and it’s a doozy!


I love the awkward movement of the creature, its on-land clumsiness a logical consequence of its shape and amphibian nature. The fact that it slips and slides and stumbles about somewhat makes the whole thing both more believable and more horrific. Will The Host 2 be even darker than its predecessor? From the look of that scene, and the apparently inevitable fate of those children, it seems likely….

Twitchfilm reports that the CG effects were produced within Korea by Macrograph, the VFX company behind R2B: Return to Base (aka Soar Into the Sun), A Chinese Ghost Story and Stephen Chow’s upcoming Journey to the West.

I’ve heard no word on who’s directing yet — though we do know it isn’t Joon-ho Bong.

Source: Twitchfilm via Avery Guerra. Written by Robert Hood

Posted in Film, Giant Monsters, Horror, Update | Tagged , , | 5 Comments

Raising Demons and Funding: Demon’s Rook Update

Undead Backbrain’s recent update on The Demon’s Rook and interview with director/writer/actor James Sizemore emphasises just what a worthy project this is — full-on indie horror using a style and approach that updates ’80s demonic exploitation, with its hands-on, in-your-face attitude — complete with zombies and all.

UB has no hesitation in bringing to your attention the fact that the producers have initiated an Indiegogo campaign to raise some much needed funds to help with the final post-production expenses — and in recommending that you should consider being part of it if you possibly can. If you’d like to help out (and gain some great benefits at the same time), check out the indiegogo page at http://www.indiegogo.com/demonsrook.

To demonstrate how worthy of support this film project is — remembering that it is already most of the way toward completion and only needs some help in final post-production enhancement — check out this Behind-the-Scenes look at the expertise and dedication that has gone into The Demon’s Rook‘s make-up FX. Beautiful work!

[youtube fMYl5gLiTkI]

Crowd-sourcing as a means to both initiate and enhance independent and creator-owned projects is proving a wonderful opportunity for all concerned. Creators benefit because they can bring to fruition worthy and innovative films/books/graphic novels/artworks that might otherwise disappear into a financial wasteland. Backers benefit from assorted goodies, but more importantly they get to enjoy a finished work that might never have eventuated. At a time when mainstream producers and corporate gatekeepers are becoming more and more conservative and increasingly reluctant to take on Difference over More of the Same, this use of the internet is a genuine boon and may be the salvation of the Next Great Artist. It’s not wannabees and exploiters who are set to gain most from this, but the genuine artists/producers who are able to demonstrate their potential and professionalism in such a way as to attract the Crowd’s attention and to therefore gain the means to realise their artistic vision without the restrictions imposed by the conservative corporate bottom-line.

A more-than-worthy recent example of the attraction of crowd-sourcing is a project by DC comic writer Gail Simone (Wonder Woman, Birds of Prey, Deadpool, Secret Six, Batgirl) and artist Jim Calafiore (Aquaman, Exiles, Gotham Underground, Secret Six), who wanted to work together on a special owner-creator project titled Leaving Megalopolis — a superhero graphic novel that wasn’t going to get support from the Big Guys. Their Kickstarter campaign had an original goal of $34,000, though in the end $117,660 was pledged, which allowed them to raise the page count of the final product and to offer other bonuses, such as a hardcover edition. This was a spectacular vindication of this new style of grass-root level funding.

Anyway, check out James Sizemore’s film campaign for The Demon’s Rook, and consider becoming a backer. You can at least sign up to get a copy of the DVD when it arrives, though there are other incentives as well.

Source: Campaign page. Written by Robert Hood.

Posted in Film, Horror, Monsters in general, News, Update, Zombies | Tagged , , , , , , , , | Leave a comment

First Look: World War Z

When I read Max Brooks’ post-apocalyptic zombie novel World War Z: An Oral History of the Zombie War several years ago I was impressed. An entertaining, structurally daring and unorthodox novel, it heralded a new wave of zombie fiction. It quickly climbed into bestseller territory — a heartening occurrence, as it is a well-written and unconventional book, thus proving that popular fiction doesn’t have to be badly written, derivative and painfully stupid. Unsurprisingly World War Z‘s success and its new take on the cultish, and suddenly trendy, zombie apocalypse made it an obvious choice for optioning by Hollywood, even though it boasts a structure I would describe as a hard sell cinematically. Because of this latter problem, however, I fully expected it to fade away in development hell.

To my surprise the film option on the novel was not only taken up by Paramount Pictures, but development began on World War Z the movie fairly quickly. The production has been a long one, though, and I confess I often reverted to wondering if the movie would actually happen, suspecting that the difficulty of the novel’s translation to the screen may have scuttled it after all. But no! As you can see from the above one-sheet poster, World War Z, starring Brad Pitt, is scheduled for release next year — in fact, it is due to hit cinemas in Australia (and elsewhere) in June 2013.

Like everyone, I imagine, I had to wonder what the hell director Marc Foster (Monster’s Ball, Quantum of Solace, Machine Gun Preacher) and co. would do to make the novel more acceptable for cinematic consumption — and had to ask the inevitable question: “Will they wreck it?”. The jury’s still out on that, of course, but the newly released teaser trailer makes it pretty clear that significant changes have been made to “convert” the “unfilmable” book into a Hollywood-style blockbuster. Check it out here:

[youtube bP5YVIMGCJE]

If you’re viewing this from outside Australia, try the following link:

[youtube Md6Dvxdr0AQ]

In the original novel the zombie war has already taken place and the “author” of the book — a journalist working as an agent for the United Nations Postwar Commission — travels the world interviewing survivors from various countries, collecting their anecdotes into an oral history of the war. There is no overarching narrative (apart from a developing understanding of how different cultures and governments addressed the apocalyptic threat) and no central, dramatically active protagonist. The “agent” (Brooks himself) is essentially faceless and merely a conduit for the anecdotal experiences of others.

Clearly the film has (of necessity?) taken a different approach. Rather than presenting a post-apocalyptic history, “Brooks” becomes a directly involved participant in humanity’s struggle to make a unified response to the zombie plague. As the press release explains it: “In June 2013, one man (Brad Pitt) will race against time to bring a divided world together on the eve of its final hour. Every culture, every weapon and every army will rise because the only hope for survival is war.”

Obviously this represents the superimposition of a more “plot-like” dynamic onto the novel’s central concept of a “zombie war” in order to give the film dramatic focus. Pitt’s Brooks becomes an active protagonist rather than a passive conduit for the recounting of events that have already happened. Fair enough, but “the story” does rather become a different entity as a movie, with a different relationship to the original material than most dramatisations, even those that play free and loose with the source. Whether it still captures the elusive essence of the novel will be revealed in June next year.

Either way, it might be interesting, as an action thriller, if not horror film.

Note on the Novel’s “Predecessors”:

Insofar as the novel World War Z mimics the qualities of a journalistic history, it feels unique, abandoning consistent point-of-view linear narrative for a wide-ranging anecdote-based overview. In many ways, of course, this approach isn’t exactly unique at all, as fictional histories have existed well before this. Some examples that come to mind are Olaf Stapledon’s  Last and First Men: A Story of the Near and Far Future (1930) — which offers a vision of the future with all the objective distance of a history book, reminiscent, at least in manner, of H.G.Wells’ historical essay/novel, The Shape of Things to Come (1933) — and even more so Daniel Defoe’s fictionalised account of an apocalyptically plague-wracked Britain in A Journal of the Plague Year (1722). But Brooks’ use of fictional history is, as far as I can recall, the first to apply the technique to the zombie apocalypse and was a logical progression from his previous zombie hit, The Zombie Survival Guide (2003) — a pseudo handbook for dealing with the Z-apocalypse.

Posted in Apocalypse, Film, Horror, News, Trailers, Zombies | Tagged , , , , , , , | Leave a comment

Update: Killer Shrews Are Out Of Their Cage!

A Backbrain Exclusive

The latest news from film publicist Avery Guerra is that Steve Latshaw’s long-anticipated reimagining / sequel to 1959′s The Killer Shrews, Return of the Killer Shrews (which features original star James Best, as well as John Schneider, Jennifer Lyons, Rick Hurst, Sean Flynn and special guest Bruce Davison) has been picked up for distribution by American World Pictures.

Along with the news comes a cool new poster, a new promo sheet and a new trailer (below):

[youtube jjn3yg6E_F0]

Check out the Backbrain’s interview with director Steve Latshaw for more information on the film.

Source: Avery Guerra. Written by Robert Hood.

Posted in Exploitation films, Horror, Monsters in general, Posters, Remake, Trailers, Update | Tagged , , , , , , | Leave a comment

New Trailer for The Demon’s Rook Now Up!

Check out the new trailer for The Demon’s Rook (US-2012; dir. James Sizemore), which has just been added to the Undead Backbrain Halloween post here.

Posted in Demons, Horror, Update | Leave a comment

Millennium Bug Infests DVD

More horrifically excellent news this Halloween as a genre-classic-in-the-making comes to DVD, heralded by great cover art and a fantastic new trailer.

The Millennium Bug (US-2011; dir. Kenneth Cran) is a dark, raging powerhouse of a movie — an independent film that truly delivers on its promises. Though heralded on the  DVD artwork as “JIM HENSON meets THE EVIL DEAD!” (honouring its use of puppetry and miniatures, and its almost slapstick gore), I’m much more inclined to describe it as “GODZILLA meets ROB ZOMBIE”, in reference to its central giant monster (created using practical FX rather than CGI) and its exaggerated, tongue-in-cheek and bloody redneck nastiness. Either way, I can guarantee that it exploits all these influences with aplomb — creating an exhilarating rush of horror-drenched entertainment. It’s suspenseful, funny, gory, atmospheric, imaginative — and extremely well made, with excellent special effects and good performances. If any of the influences mentioned above rock your boat, you MUST see it. Seriously, I love this film, blood-drenched warts and all.

Meanwhile, check out the trailer below:

 [youtube D3fdzbA7dME]

The DVD is due out very soon (though not in time for Halloween unfortunately), so keep an eye or three open for news of it. And check back here on a regular basis, because the Backbrain has some very exciting, and suitable HUGE, news to share and you won’t want to miss out….

And by the way, if you’re feeling impatient while waiting for the DVD and cable release of The Millennium Bug, you can catch the film on iTunes now.

Posted in Daikaiju, Exploitation films, Film, Giant Bugs, Giant Monsters, Godzilla, Horror, Independent film, News, Posters, Trailers, Update | Tagged , , , , , , | 4 Comments

The Demon’s Rook: New Trailer Premieres Here for Halloween

Halloween’s coming — and soon the demons will be loosed upon us.

About a year ago, the Backbrain undertook an in-depth interview with writer/director James Sizemore, where he told us all about his in-production ’80s-style horror epic, The Demon’s Rook — revealing details that created much excitement from here to the netherworld. Well, there’s been a lot of blood under the bridge since then and so I spoke to Sizemore again to get the goss on where the project now stands. Seems there’s even more to look forward to, and it all starts here when, on Halloween (31st October, US time), the Backbrain will reveal the new, fully demonised official trailer.

AND HERE IT IS!!

[youtube TVdOHrERSXg]

In the lead-up to the 31st October, here’s the news, straight from the Man’s mouth.

Interview with James Sizemore (October 2012):

Undead Backbrain: So, James, a little winged demon tells me a new trailer for The Demon’s Rook is ready to premiere, just in time for Halloween. What can those who’ve been following the progress of the film expect from it, as compared to the previous teaser?

James Sizemore: Well, now that we’ve finally finished principal photography, we’ve pulled enough footage together to be able to tell more of a story with this trailer. I think it does a much better job of getting across the original synopsis as opposed to our previous teasers. On top of that, you get a better taste of what’s to come with our actual visual, musical, and sound production quality. You’ll see some quick glimpses of a couple of my demons, but there’s still some key characters that I’m saving as a surprise. Not to worry though, it delivers hard.

UB: When we spoke earlier you mentioned that “interesting things” had happened since we last interviewed. Can you reveal anything about those “interesting things”?

JS: I was mainly referring to all the interesting things we were able to do with the budget we raised since we last spoke. We ended up cultivating more money through some private investors. Another 50k on top of our previous 15k, giving us a total budget of $75,000 for the film. The extra 50k wasn’t enough for us to pay ourselves, but just enough to take care of completing the special makeup effects work that I started, which turned out to be much more ambitious than I previously realized. And again, I think the new trailer hints at that pretty well.

UB: Last year you referred to how expensive it was proving to be to create the silicone prosthetics required to create your demons. Did the extra money equal additions to the roster of demonic characters? Extra elements added to the story? A longer film?

JS: It did actually! I was able to produce the four lead demons I originally envisioned, along with a pretty sweet transformation scene involving the beastly mutation of a poor and unfortunate soul. We’ve also got a lot more zombies to fill up the screen. I built a couple ovens so that we could try foam latex for some of the new zombies. Real gnarly ones, good and rotten, just as before. We were also able to create several more special effects gags than I originally thought I was capable of doing. In the end, we produced over ninety molds in the shop. It was quite an undertaking, and I had to hire a few people from out of town for a couple months to help me knock it all out.

UB: Ninety molds! What a marathon effort! What will happen to those once the film’s finished? As Demon’s Rook just screams “future cult classic”, an eBay sale might bring in more than your original budget… Not to mention DVD sales. Speaking of which, when can we expect those to appear?

JS: Yeah, I’ve got them [the molds] all stacked on top of each other on various shelves in my studio right now. There’s a good number of them I couldn’t bear to part with. Mainly all the creature molds. But yeah, that’s a pretty good idea to earn back some of the budget. I’ve got more than enough gore molds I wouldn’t mind parting with for the right price. As for DVDs, not quite sure yet. We’ve got a film festival plan for next year. We’d like to try running that circuit before we make any concrete distribution plans with anyone. I think we’ve got a good chance with a few of them, and I’m hoping that the possible press coverage, quotes, interviews, and perhaps even a couple awards from that would give our film more appeal when confronting distributors. Our goal is to have screeners sent out around the beginning of February 2013, and you can bet I’ll be sending ya one, Rob.

UB: I’m really looking forward to it. Meanwhile, any production anecdotes you’d like to share? After all, there’s a tradition in horror film production of “strange happenings” on set….

JS: I could probably ramble on for hours with the stories we’ve accumulated over the past two years. Some of my favorites would give away too much of the film. We’re actually making a behind-the-scenes documentary that will feature a few of the best ones. But here’s something good for ya. It’s not terribly strange, but impressive nonetheless. One of my actors, Josh Gould, played four different parts in the film, three of which are creatures, and all pretty heavy silicone prosthetics that don’t breathe at all, scleral lenses and full acrylic teeth dentures. Very very uncomfortable. One ambitious night of filming, Josh had to play three of those characters. Three hours in the makeup studio, then another few hours on set. Then back to the studio where we ripped off the prosthetics, just to slather on more glue and cover his body in more prosthetics. This went on for him all night till sunrise. I think he passed out from exhaustion a couple times during filming, but he never really made a big deal out of it. He was the ultimate trooper. At sunrise, when we took all of his prosthetics off, he smelled like a 200 year-old Sasquatch corpse. The smells this man had produced gagged everyone in the makeup studio, and he just sat there in the makeup chair, looking half dead with blood-shot eyes and unable to speak coherently. That sort of thing actually happened to him on quite a regular basis. Several of our actors were put through hell, but Josh was given a special kind of hell. One that takes days to wash off.

UB: Impressive indeed! That’s what I call dedication. Speaking of actors, how about filling us in about your cast?

JS: Overall, we had a pretty righteous cast. I was fortunate to have the chance to work with so many passionate people who all volunteered their time because they believed in the film. Everyone put all they had into it, even if they had no training. A few of our main actors had a good bit of experience and training, and they were an absolute pleasure to work with. They knew the drill, and they trooped through a lot of hell without complaining. There was also a good handful of the cast that were friends or crew members, and this was because we couldn’t always find an actor, or because someone backed out last minute. But in the end, I feel it actually worked to the film’s advantage. It’s no secret that this film has an ’80s cult horror attitude. With that is going to come a particular style of acting. If you’re watching this hoping to see a Morgan Freeman performance, you’re gonna be disappointed. More often than not, we took the Bruce Campbell approach, especially Ashleigh and I. Neither of us went to acting school, and to be honest, I made us the lead characters because I knew we’d always be around. My wife and I are pretty over-the-top people to begin with, so playing over-the-top characters just seemed to make sense. I don’t think we shoved it in your face or anything, but we definitely brandished that style!

UB: Okay, James, here’s the challenge. Tell us in 100 words or less why the readers of Undead Backbrain are gonna love The Demon’s Rook!

JS: I could do that in two words: It delivers. But I’ll elaborate… ever see a trailer or poster art for a movie that gets you totally pumped to see it, but then when you finally do you feel cheated because they showed all the best parts in the preview, or it was nothing like advertised? This ain’t that movie. The Demon’s Rook is the real deal start to finish. See the poster art [at the top of the article]? That’s accurate. See the trailer? Only the tip of the iceberg. This is the ultimate low budget fantasy-horror movie. You’ll be high-fiving strangers, guaranteed. 100.

So there you have it! Check back here on the 31st October (US time) to see the spectacular new trailer. You’ll love it!

Source: James Sizemore. Interviewed by Robert Hood.

Addendum: A Revealing Insight into Independent Filmmaking

While engaged in our online interview, Sizemore revealed that it was 3 am where he was (Georgia), while for me, in Australia, it was 6 pm the previous day. I suggested a break and he replied: “Yeah, I’ve only had 3 hours of sleep for the past 48 hours, too. We had our wrap party night before last, and then all day yesterday, I did ADR, starting the morning after the party. I’ve kinda become a machine though. It’s the film’s fault. Uggh.” Now that’s dedication!

Posted in Demons, Exploitation films, Film, Halloween, Horror, Independent film, News | Tagged , , , | 3 Comments

Gila! Stomps into the AFM

A Backbrain Exclusive

On the eve of its appearance at the American Film Market during November, Gila! — Jim Wynorski’s much anticipated remake of the hoary old monster classic The Giant Gila Monster (US-1959; dir. Ray Kellogg) — has been graced with a new poster and a special AFM trailer.

Note the rather apocalyptic nature of the poster’s background, suggesting a wider scale of destruction for the titular beastie than I for one was expecting. Artistic licence perhaps?

And here’s the trailer:

[youtube 7vvbM6ZwxQE]

I’m keen. What do you other giant monster and B-movie fans think?

Source: Producer Bill Dever via Avery Guerra.

Posted in Film, Giant Monsters, Independent film, Remake | Tagged , , , | Leave a comment

A Second Helping of Jellyfish Eyes

A while back the Backbrain discussed at length Japanese artist Takashi Murakami and his upcoming live-action giant monster film, Jellyfish Eyes. (See The Art of Monsters: Takashi Murakami and Jellyfish Eyes.)

As exciting as that is, the website for the SECOND film in what promises to be a trilogy has now appeared. (Check it out here.) Where the first film portrays the catastrophe that has gripped the nation, “Part 2 takes place two years later and expands upon the scenario with new twists and turns”. (Source)

The site offers a production diary and includes lots of on-site pictures, such as this one of Murakami and… um, friend…

A third film hasn’t been officially announced yet but we can safely speculate that it is surely forthcoming.

A source from the production, who wishes to stay anonymous for now, commented to Kaiju Search-Robot Avery:

There will be heavy CG involved, but Takashi has handsketched/designed a number of new creatures that are featured in the films. It’s a long process and work is still being done on the first movie, even as shooting happens with the second.

Source: Avery Guerra. Text by Robert Hood

Posted in Fantasy, Film, Giant Monsters, Japanese, Update | Tagged , , , | Leave a comment

Gila! Stomps Closer

Oh, look! A new poster for Gila!

Don’t know what Gila! is? You haven’t been paying attention, have you?

It’s the next giant monster sensation, due to hit screens soon, now that it’s had its world premiere (at the 6th Annual B-Movie Celebration’s Film Festival) — Jim Wynorski’s remake of the B-movie classic The Giant Gila Monster (US-1959; dir. Ray Kellogg).

You can check out the trailer (and an alternative poster) here.

Source: Backbrain newshound Avery Guerra, who just happens to be the film’s official publicist! You can bet we’ll be hearing more!

Posted in B-Movie Celebration, Exploitation films, Film, Giant Monsters, Remake, Update | Tagged , , , | Leave a comment