Backwood Horror Emerges From the Forest

Lost Woods (US-2010; dir. Nathan and Philip Ellering)

A monster-thriller written and directed by the Ellering Bros. Director of Photography: Lance Kuhns. Cast: Joey Brown, Garrett Vander Leun, Nina Brissey, Phillip Ellering and Nathan Ellering.

A few days ago we talked about the monsters that dwell in swamps. This one is related, at least in terms of a setting that isolates protagonists (and their emotional baggage) in the midst of a natural environment rife with mystery — and something is out there. Whatever emerges from these particular backwoods, what we’ve definitely got here is another excellent independent production made on a small budget with high levels of creativity and enthusiasm.

Synopsis:

Darrin Noland leads a deliberate and careful life, but when his old friends spring a camping trip on him it’s a good time he can’t run from. The escape turns south when Darrin finds out the unsettling news that Warren, someone he has avoided since junior high, is also along for the ride. Darrin attempts to avoid an awkward reunion but horrible events cause him to face his regretful past and face his beast within. (Source)

Currently busy with post-production (which Nathan Ellering describes as “somewhat of a black hole that sucks you in”), the Ellerings are intent on releasing the film this year — very soon in fact. While you wait, check out the trailer and see if you can glean an answer to these questions: Is the creature a straight-on cryptozoological anomaly? A supernatural entity? A monster from the Id? A backwoods Jekyll and Hyde? Ah, that is the question! Looks to me as though it will be fun finding out.

Don’t see enough of the monster? Well, Undead Backbrain has got hold of some exclusive stills that are rather spectacular in that regard. Click on them to look the Beast right in the eye.

And the Beast’s victims/opponents, too:

The Ellering Brothers commented on the film:

Our vision for this film was to go into the woods and shoot a suspense action thriller in true independent fashion. We wanted to create a monster movie in the old-fashioned style of man versus beast set against a spooky backdrop armed with little more than his wits. Our goal was to create a fresh mythology for a creature that audiences have already come to be familiar with. We shot in both Northern and Southern California’s national forests and had quite an adventure doing so. Between broken bones, angry hunters, frigid weather and the occasional equipment malfunction — the cast and crew felt the struggle just as much as the characters did. Our process in writing and shooting this film began with the question “what can we do with next to nothing?” and we pushed everything that we had to get the most production value out of what was available to us.

Earlier Teaser Trailer:

The trailer and teaser are also on Vimeo, if you want to check them out in even higher resolution: http://vimeo.com/8342183 | http://vimeo.com/13168057.

More images are in the Gallery below.

Gallery:

Posted in Cryptozoology, Film, Horror, Independent film, Monsters in general, Mysteries, Trailers | Tagged , , , , | 2 Comments

Creating Oak Swamp

Swamps, marshes and backwater locations have provided evocative settings for horror films/stories in the past. From King Kong (US-1933; dir. Merian C. Cooper and Ernest B. Schoedsack), through the likes of Creature from the Black Lagoon (US-1954; dir. Jack Arnold) and Swamp Thing (US-1982; dir. Wes Craven) to modern low-budget monster flicks such as Frankenfish (US-2004; dir. Mark A.Z. Dippé) and Muckman (US-2010; dir. Brett Piper), the tangled, fecund environment provided by swamplands has been suggestive of monstrosity and secretive biological forms. The fact that such places are often (in fiction anyway) inhabited by homo sapiens best described as inbred does nothing to diminish the Swamp’s association with genetic deviance.

Currently in production — and in fact seeking financial backing — is a film that has all the makings of a genre classic. A concept trailer for The Legend of Oak Swamp: The Mysteries of Ironwood has recently surfaced and more than adequately highlights the potential of Massachusetts writer/director Jedidiah Burdick and his team to realise an ambitious dream: to create a fun, VFX-heavy monster film that has “emotional connection, high concepts, and (surprisingly)… even plot”, designed for a youthful audience but with obvious cross-over value.

Under the auspices of his production company Votary Films, Burdick and his team — including Chris Harvey (VFX Supervisor) and Mikel Wisler (Associate Producer) [check out the full team here] — have put together some amazing conceptual work, including an impressive trailer, hoping to show what can be done with minimal funds and maximum commitment.

Synopsis:

15 year-old Colin has just moved to a new town in the middle of nowhere. He meets a girl (Grace, 15) who is everything he wants. She’s smart, brave, adventurous… and driven. Grace, who was raised by her uncle, is determined to uncover the mystery surrounding her missing parents, and quickly draws Colin into her world.

Through a series of events the two new friends (plus another) become lost deep in the heart of an endless southern swamp. They discover the remains of a secret WW2 government research establishment, which ten years prior did genetic studies on cross-breeding species for use in the war. Now the swamp is the home of monsters, in particular a bloodthirsty beast that is the product of military experiments gone wrong, and the three friends find seek safety without leading the beast to those searching for them.

Burdick is determined that the “photo-realistic effects” (largely designed by scifi illustrator and concept artist Mark Beer) will be “a powerful tool for helping the audience connect to the bones of the character-driven story”. Take a look at the conceptual trailer that Burdick and his crew have created and I think you’ll agree that this is a project that deserves to get off the ground.

Concept Trailer:

According to director Burdick: “The time when only big studios could make big visual effects heavy features has passed.” Burdick has already gathered together highly skilled artists — concept designers, modelers, animators, and compositors — from around the world to work on the concept. He firmly believes that “the film has huge potential, and we also believe we know how to make it feel very big, with about 400 visual effects shots for a fraction of what Hollywood would spend on that number of them.” (SciFiPulse.com)

The story style combines the nostalgia of the 1950s, with thrilling sequences dealing with visually stunning mixed species. Sort of “Stand by me” meets “Cloverfield”. Especially appealing to a younger market, the fantasy elements allows for younger lead characters, similar to the approach taken with Harry Potter. We have have genuinely spooky and thrilling sequences, but no blood, and a very triumphant and happy ending. A good amount of plot in this story allows for twists and character challenges, which makes the story much more than merely “escaping the killer creatures. (Official website)

More is needed, however. Burdick is now undertaking the task of convincing others to contribute to the financial furtherance of the project. Given the incredible quality of existing collateral, this shouldn’t be too difficult a task.

This film is now positioned to take-off, [he said] but we have finally reached a point where we must raise the proper seed money to launch us from development to pre-production.

He is now seeking for Executive Producers and investors to carry the production forward.

In the following promotional videos, Burdick talks about the story, the market for the film and how the production is being crafted — emphasising the film’s enormous viability in today’s cinematic world:

The Legend of Oak Swamp – The Craft from Mikel J. Wisler on Vimeo.

This is an exciting project and hopefully, Burdick and his team can gather together whatever they need to complete it. More concept art is in the Gallery below.

Gallery:

Posted in Cryptozoology, Giant Bugs, Giant Monsters, Independent film, Monsters in general, News | Tagged , , , , , , , | 5 Comments

From the Asylum: Moby Dick Trailer

Let it not be said that the Asylum haven’t been enthusiastically throwing their controversial creative efforts into the world of giant monsters. Just recently we saw images from the sequel to their mega-successful Big Things flick Mega Shark vs Giant Octopus — Mega Shark vs Crocosaurus. Now comes the trailer to their modernised, giant-monsterfied version of the American classic novel, Herman Melville’s Moby Dick.

And the Great White Whale is BIG!

Trailer:

As you no doubt saw, 2010: Moby Dick (US-2010; dir. Trey Stokes) stars Barry Bostwick (Spin City) as the modern-day obsessive, Captain Ahab, whose quest for revenge endangers all those who sail with him — and Renee O’Connor (of Xena fame) as Dr Michelle Herman. There’s an introductory article to it (with pictures) on Undead Backbrain.

Bring it on!

Source: The Asylum via Avery.

Posted in Exploitation films, Giant Monsters, Trailers, Update | Tagged , | 3 Comments

From the Asylum: Mega Shark vs Crocosaurus

Images from Mega Shark vs Crocosaurus (US-2010; dir. Christopher Ray) — Asylum’s sequel to their most successful creature feature, Mega Shark vs Giant Octopus — have been released, though the only images of the titular beasts appear on the poster, albeit pretty cool ones:


Synopsis:

The massive prehistoric shark has survived the last battle, and the world is again threatened when a new, more dangerous foe is discovered in the jungles of Africa.

The much-anticipated sequel is directed by Christopher Ray, son of B-film legend Fred Olen Ray and director of the 2008 giant monster flick Reptisaurus (see other Backbrain articles on Reptisaurus) and the anticipated giant snake flick Megaconda. It stars Jaleel White, Gary Stretch, Sarah Lieving, and Robert Picardo. So, the film features the famous sitcom “nerd” caricature Steve Urkel (“Whoa, Mama!”), along with an ex-boxer and action star, the non-monstrous co-star of the upcoming Super Shark (and many other B-monster films) and a Star Trek: Voyager/Stargate alumni (who has been in much else besides, including the recently released Monsterwolf) — quite a line-up. With Jaleel White, the Asylum continues its “tradition” of including a reincarnated (and re-fashioned) star in its giant monster film casts.

Above: Gary Stretch, Sarah Lieving and Jaleel White look up,
which is where you should look when giant monsters are around

… while Robert Picardo looks bemused.

MegaGary vs Jaleelosaurus (The Asylum’s caption, not mine…)

Of course, the biggest star of the lot — he of the “grab the plane out of the sky” and “chomp on the Golden Gate Bridge” fame — is back, this tiime around to take on an amphibious monstrosity of the mutant croc kind. This could be seen as an advance over a Giant Octopus, as this opponent at least has a big mouth full of teeth.

And what do the humans do? They run!

The film hits the streets on December 21, 2010. Let’s hope the city destruction that’s on the poster actually appears in the film!

More pics (non-destructive) appear in the Gallery below.

Gallery:

Posted in Exploitation films, Film, Giant Monsters, Monsters in general, Preview | Tagged , , , , | 9 Comments

This is a Big ‘N!

“It’s the size of a mountain!”

“It is the mountain!”

It’s called Behemoth (US/Canada-2010; dir. David Hogan)

But not this one!

At this point, the new Behemoth has a small poster, even if his presence in the film is gigantic. [Addendum: we’ve now replaced it with an appropriately large version…]


The film is a US/Canadian giant monster flick — made for an estimated budget of US$1.3 million by Cinetel Films, distributed by RHI Entertainment and destined for the SyFy Channel — and its monster is really big. The newly released trailer looks promising, even for its low-budget status.

Trailer:

It stars Cindy Busby (The Vampire Diaries), Ed Quinn (True Blood, Eureka), Jessica Parker Kennedy (Smallville), William B. Davis (of X-Files fame), Pascale Hutton (Ginger Snaps: Unleashed, Flashpoint, Traveler) and Ty Olsson (The Crow: Stairway to Heaven, Kingdom Hospital, Battlestar Galactica, Defying Gravity). And a really big critter.

Synopsis:

An earthquake reactivates a long-dormant volcano threatening the small town of Ascension, trembling in its shadow. But the gaping maws in the region reveal evidence of something else—a centuries-old subterranean creature at last given the chance to break free in a black cloud of fire and ash. As the Behemoth wreaks havoc, it’s a race against time as a small band of rescuers fight it with a force as destructive as the beast itself.

Gallery:

Posted in Film, Giant Monsters, Horror, News, Trailers | Tagged , , , , , , , , | 1 Comment

Zombies. Tits. Dragon?

Sometimes, there’s nothing you can add, except that it seems as though the infamous Takao Nakano’s The Big Tits Dragon is being released in the West as “Big Tits Zombie” — a title that’s probably inaccurate but clearly indicates that zombies sell better than dragons these days. Tits? They always sell. Just watch the trailer.

The Big Tits Dragon [aka Kyonyû doragon: Onsen zonbi vs sutorippâ 5; The Big Tits Dragon: Hot Spring Zombies vs Strippers 5; Big Tits Zombie (Japan-2010; dir. Takao Nakano)

Did I mention it’s in 3D?

Images:

Source: IMDb. Thanks, Cat.

Posted in Horror, Japanese, Trailers, Zombies | Tagged , , , | 1 Comment

If People Can Get Turned Into Zombies, What About Werewolves?

This profound existential question, asked by all of us at some point, I’m sure, is set to be answered by Zombie Werewolves Attack! (US-2010; dir. Chris Green).

Synopsis:

Zombie Werewolves Attack! The name says it all, a hilariously fun B-Movie classic to be. The film is about a small group of friends that are enjoying a party, only to have it crashed by uninvited guests. After barely surviving the werewolf attack, they learn that it has killed most of the people in their town. Now, surrounded by a town turned into werewolves, they face a difficult dilemma. Can they kill the innocent victims of the wolves, now werewolves themselves, to survive? (Press release)

Originally titled The Howlers Come!, Zombie Werewolves Attack! is a horror/comedy and is being distributed on DVD by good ol’ Troma Entertainment, that indefatigable purveyor of quality genre cinema.

Trailer:

I’ll be intrigued to see if these werewolves prove to be actual undead creatures in any way that matters, and not just really ugly wolfmen…

According to writer/director Chris Green, the film should be available for down-load this weekend, just in time for Halloween. Just keep an eye on the Tromo website and such places as Netflix, Video on Demand, iTunes. DVDs will follow.

Directors Bio:

Chris Green (pictured above at is a filmmaker, and Director of Photography from Mississauga, Ontario. He is a graduate of the Ryerson University Film Studies diploma program, and he has produced several short films including Arnie Juice, which played in four film festivals across Canada. Chris has also just completed his first feature length film, Zombie Werewolves Attack! a horror/comedy which is now being distributed by Troma Entertainment, and has also played in two film festivals so far. Chris has also recently been accepted into the Emerging 20 program, through the ReelWorld film festival, at TIFF 2010. This program honours 20 top new emerging talents with Face-to-Face meetings with industry professionals such as broadcasters, government funders, and distributors to help open doors. His current projects include: a television commercial for 321-Team Mortgages, which will be seen soon on OMNI TV and SunTV in the greater Toronto area, and a Horror Anthology film with 6 other directors about the last man on earth, titled The Last. Chris is also working on the development of his second feature film, a Sci-Fi Thriller.

Sources: Official website; Facebook; MySpace page; IMDb; Animal Attack; via Avery. Written by Rob Hood

Posted in Exploitation films, Film, Horror, Independent film, News, Preview, Trailers, Zombies | Tagged , , , | 5 Comments

Parasitic: It’ll Get Under Your Skin

Want zombies with your giant monster bugs? Well, we might just have the perfect movie for you!

We have it reliably from writer/director Timothy Martin that Parasitic, which started life a few years back under the title “Black Licorice”, is about a giant alien parasite that re-animates its dead victims and turns them into … well, the undead.

Synopsis:

After a strange meteor destroys a communications satellite and crashes into Tampa Bay, a sickly looking fish finds itself the meal of a beautiful nightclub bartender named Val. Moments later, as the bar is closed and locked tight, the infected Val becomes ill and all Hell breaks loose. Hidden from the others, the parasite she has unknowingly eaten rapidly grows, bursting from her throat and becoming the puppet master for the chaos ahead. With no possible way to reach help or escape, the trapped club-goers must fight to survive and plan to destroy the creature before it is let loose into the world.

According to the composer Brian Wherry’s website, Martin has “extensive experience with special makeup and creature effects from his work at Stan Winston Studio and Amalgamated Dynamics, Inc. and thus, the quality of the creatures in Parasitic far exceed the expectations set by its modest budget.” From the trailer I’d tend to agree.

Images from the Film:

“You mean this isn’t the AC/DC concert?”

“Make-up wasn’t in this morning, so I had to do my own lipstick.”

“Sorry, I can’t stand AC/DC!”

“I was washing my hair and had an accident with the drier.”

Production Shots:

“It’s goes ARRGGGHHHH!”

“Say Cheez!”

“Okay, who made this mess?”

Commented Martin: “Parasitic was accepted for the Freak Show Film Festival in Orlando, Florida and I am awaiting news from several other festivals very soon.”

Timothy Martin’s Bio:

In the fall of 1999, at the age of 23, Timothy R. Martin moved to Los Angeles to pursue his lifelong goal: to become a Special Effects Make-Up Artist and eventually to write and direct his own sci-fi and horror films.

Working for such legendary effects houses as the Stan Winston Studio and Amalgamated Dynamics Inc., Timothy began his career as a mold technician and sculptor for such films as Jurassic Park 3, Artificial Intelligence, Spiderman, Spielberg’s War of the Worlds, and X-Men 3 to name a few.

As a child growing up on infamous US Army base, Fort Bragg, NC, Timothy was, in his youth, inspired by the high-energy, action-packed, thrill-ride movies of the mid-80s such as Terminator, Aliens, and Predator. His strict military upbringing along with his natural artistic talent has long since made Timothy a culmination of discipline, creativity and drive.

During the time Timothy worked as a special effects technician in 2008, he wrote, directed, and created the character costumes and make-up for his debut film entitled Parasitic, in which a group of young bar workers become trapped, stalked and brutalized by a terrifying creature.

Timothy’s approach to writing and directing reflects his image of Hollywood and the film industry: fierce and unrelenting. His style is dark, his pace is foreboding and his visions are unique and thought-provoking.

As Timothy looks forward to pushing the ever-changing boundaries of storytelling and filmmaking, he continues to write enthusiastically. (Press release)

Addendum: Early Teaser Trailer

And finally:

Addendum 2: Tim Martin has just informed us that Parasitic won “Best Florida Feature” at the Freak Show Film Fest last weekend (Oct 8-10). To celebrate he sent us the following picture, in response to which I can only say: “Ewwwww!”

Posted in Film, Giant Bugs, Horror, Independent film, Monsters in general, News, Trailers, Zombies | Tagged , , , , | 6 Comments

Godzilla Gets Inked

Word is out that the King of the Giant Monsters will not only be appearing on-screen in 2012 in Legendary Pictures’ much anticipated attempt to make a successful US film featuring Japan’s most iconic kaiju, but also has been inveigled into starring in a new graphic novel series — along with some of his mates.

There have been Godzilla comics in the past, of course — though surprisingly few. These include assorted manga versions of the G films available in Japan, such as Mondo Takimura’s Godzilla 2000 Millennium.

In 1988, the US company Dark Horse obtained a license to produce a translated edition of Kazuhisa Iwata’s The Return of Godzilla series (based on the film Gojira 1984, Japan-1984; dir. Kohji Hashimoto, aka Godzilla 1985, US-1985; dir. Kohji Hashimoto and R.J. Kizer), under the title Godzilla. In 1998 Dark Horse re-released the six-part series in colour as Terror of Godzilla.

Terror of Godzilla #1 in its entirety and coloured:

From July 1998, Dark Horse also published an original Godzilla series: Godzilla,  King of the Monsters, which ran for 17 issues, with a few “specials” along the way. The cover of issue 1 (below) was painted by multi-Hugo award-winning artist Bob Eggleton, who has a penchant for giant monsters:

This Dark Horse G-series was subsequently published as two TPBs under the titles Godzilla: Past, Present and Future and Godzilla: Age of Monsters.

Dealing with Toho to obtain the rights to Godzilla has always been problematic. Even more remarkable than Dark Horse’s series, then, was Marvel Comics introduction of the Big G into the Marvel universe. This Godzilla, King of the Monsters wasn’t just an isolated side-series either, but saw Godzilla fully integrated into Marvel’s world of superheroes. Tracked by Nick Fury and S.H.I.E.L.D., the King of the Monsters found himself up against such foes as Spider Man (well, Spidey’s is more of a cameo appearance as they actually miss each other by a few hundred metres), the Fantastic Four, Hercules and the Champions, Devil Dinosaur and Moonboy, and the Avengers:

Marvel’s Godzilla, King of the Monsters ran for 24 issues, written by Doug Moench and drawn by Herb Trimpe. It has since been published in a black-and-white compendium volume, Essential Godzilla (2006).

There have also been several high-profile unofficial Godzilla comics, which exist solely because they were not-for-profit fan works. The most impressive of these is probably Todd Tennant’s online graphic novel visualisation of the rejected Ted Elliott/Terry Rossio screenplay for Jan de Bont’s “Didn’t Happen” US Godzilla film (1994). With 77 pages to date, it is a mammoth and generous project that all G-fans need to support. Check it out at the American Godzilla ’94 website. Below are some random images from the graphic novel, mostly of G’s rampage. Click on them to enlarge.

Another interesting unofficial (and in this case prospective only) Godzilla project is Brandon Graham and James Stokoe’s (“messing around with an idea for a Godzilla comic”) World War G. In what amounts to a moment of idle speculation, the pair put together a few pages, which you can see on Graham’s blog.

Another great Might-Have-Been!

As I’ve been told, Toho’s licensing restrictions have never been easy to deal with, either logistically or financially. This is one reason why the foes appearing in non-Japanese G comics have never included the Big G’s classic kaiju eiga opponents, such as Mothra, King Ghidorah, Rodan, Hedorah or Megalon. As the copyright owners of all of them, Toho required payment for each — or even, I believe, simply refused to include them in the deal, wanting to keep the full package for their own product. It is intriguing then, how IDW Publishing have managed to broker a deal to not only wrest the US copyright to Godzilla from Dark Horse, but also to obtain the rights to the other monsters as well. Their Godzilla series, which is due to start in 2011, will apparently feature many of Godzilla’s classic monstrous opponents, including Mothra, King Ghidorah and Rodan, in what is being described as “a number of unique storylines from some of the industry’s top creators”.

Said Chris Ryall, Chief Creative Officer and Editor-in Chief for IDW Publishing:

“We wanted Godzilla to return to comics, but this time we wanted him to have some company. I think fans will be pleased with the monster guest appearances, which will really offer something for every fan of these films. There are the classic characters, but there are also a few surprises, too.” (IDW website)

Posted in Comics, Giant Monsters, Godzilla, Graphic novels, News | Tagged , , , , , | 5 Comments

Getting an Inkling of the Frenzy

Feeding Frenzy is a new independent film that directors Mike Stoklasa and Jay Bauman of Red Letter Media describe as “a tongue-in-cheek homage to the rubber puppet monster movies of the 80s such as Critters, Ghoulies, and all the other films that ripped off Gremlins.”

The following is a slew of resources that together should convey the idea that this independent comic-horror schlock film is being created with love and talent.

Synopsis:

A mysterious old man named Mr Plinkett is keeping a deep dark secret locked away in the basement of a small-town hardware store: vicious, flesh-eating creatures with a mysterious past. Once these creatures escape, all hell breaks loose and it’s up to Jesse, an incompetent hardware store employee, to stop them from turning the town into a feeding frenzy! (Official website)

Trailer:

Behind the Scenes: Part 1

Behind the Scenes: Part 2

Behind the Scenes: Part 3

The film stars Ron Lipski, Gillian Bellinger, Tina Krause, Rich Evans and Jack Packard. You can read about them here.

The DVD will be available soon.

Inking the Poster:

DC Comics Illustrator Freddie E. Williams II is the man responsible for the cover, and he has supplied an interesting few videos showing how he created it. These would be of special interest to artists out there, giving considerable insight into the use of digital media to create artworks such as posters. Below is his introduction, in which he has a few things to say about creator/director Mike Stoklasa and the film:

The rest of the videos can be found on Freddie E. Williams II’s YouTube Channel.

Source: Official Website via Avery Guerra. Written by Robert Hood.

Posted in Exploitation films, Horror, Humour, Independent film, Monsters in general, Pictorial art, Trailers | Tagged , , | 3 Comments