Hunting Trolls

No, the trolls we’re talking about here aren’t internet sociopaths who get their thrills from lurking in the dark corners of cyberspace, provoking trouble on blogs and forums — though the modern digital incarnation gets his/her name by analogy from a folkloric original. The traditional troll, instead, is a standard creature of Norwegian folklore, one that lurks and causes trouble but in more “natural” settings. They tend to be even uglier and much more visceral.

In essence trolls are chthonian beings, creatures of the earth, and as such are related to the giants of ancient Norse mythology. In fact, according to Wikipedia, “troll is a generally negative synonym for jötunn [or Norse giant]”. They dwell in mountains, among stones and boulders, in deep forests, in the sea (check out the sea troll below), under bridges (where they lurk waiting for dinner to come along) and anywhere else that is dark and dank. They come in all shapes and sizes, are usually ugly, wrinkly and grumpy, and sometimes even have multiple heads. They don’t tend to be described as friendly or welcoming, and in fact are often man-eaters.

The good news (for us, not them) is that full sunlight tends to turn them to stone, as described in the famous scene from J.R.R. Tolkien’s The Hobbit. This is not unlike the modern internet troll.

With The Hobbit currently in production, we’ll no doubt be seeing some CGI trolls there. But more authentically, troll spotters can check out an upcoming Norwegian fake-documentary that ostensibly uses found footage to tell the story of a troll hunter and a deadly secret that the Government has been keeping from the world.

The pseudo-doco is called Trolljegeren [aka The Troll Hunter] (Norway-2010; dir. André Ovredal) and to save time I’ll reproduce the excellent synopsis provided by Ain’t It Cool News:

The Troll Hunter posits a world where trolls are real and roam the Norwegian countryside, closely managed — and kept secret — by the government’s Troll Security Department, an arm of Wildlife Management. They lumber around eating rocks, hang out under bridges, and turn to stone or explode in direct sunlight. They have designated territories but sometimes they wander outside the bounds, and that’s when Hans, the Troll Hunter, gets called in.

Three college students are making a film about bear poaching, and at first they think Hans is a poacher. But after following him into the woods and coming face to face with a three headed troll, the truth is revealed. They then begin following him around from troll hunt to troll hunt, often getting much closer to the danger than they like. Hans, who has broken secrecy because he’s sick of his job and its poor benefits, is trying to figure out why so many trolls are leaving their habitats, and the answer could be deadly. (Source)

Trailer:

That’s one mighty big troll! But the monocephalic giant above, who also adorns the poster, isn’t the only one in the film. Here’s one with a polycephalic outlook — though given the aesthetic qualities of those heads he’s not really a poster-boy for the old adage “three-heads are better than one”:

Check out the Gallery below to see lot of images from the film.

Interview with a Troll:
It’s a little known fact that while trolls harken from Scandinavian areas of Europe, some have emigrated to other parts of the planet, including Australia. This isn’t a great idea, given how much sun we have down here, which probably explains why no one ever sees any.

However, I happen to have a creek running through my backyard and there’s even an old wooden bridge crossing it. I’ve always thought that there might be a troll out there, despite my partner Cat’s insistence that the shrieks and growls that are wont to echo late at night from the shadows surrounding it are made by possums (or possibly neighbourhood children).

I haven’t actually seen a troll there — and those that have were probably eaten — but I’m suspicious about the number of visitors we’ve had who went out to take a look at the bridge and never returned. “They were simply bored and used the bridge as an excuse to escape,” Cat reckons.

Still, there’s a shadowy area under the bridge and a large gap in the corrugated iron retaining wall that could easily be home to a troll — a small one admittedly.

So I went out there resolutely one dull afternoon recently and started poking around, shouting for the troll to show himself. This went on for several hours. It wasn’t until I said I wanted to interview him about Ovredal’s supposed exposé of trollish activity that he stuck his head out. The sun had dipped down behind the Illawarra escarpment by this time, so there wasn’t a problem with sunlight. But once his head appeared, followed by the rest of him, I realised how big he really was. He was huge! I tried to get a shot of him, but he grabbed my camera and ate it and said there was no way I could take his picture. Trolls hate having their picture taken.

Rob Hood: Are you willing to talk with me?
Troll
: I grumph s’pose so.
RH
: How on earth can you fit under there in that small hole?
Troll
: Metaphysics.
RH
: What?
Troll
: Metaphysics. It’s Greek. Means “beyond physics”. Basically I can do stuff that’s not possible accordin’ to the rules of physics ’cause I’m a mythical creature.
RH
: That’s a bit convenient.
Troll
: Take it or f*** leave it.
RH
: Okay, okay, don’t get cross.
Troll
: I’m a troll. I’m always cross.
RH
: So, have you heard of this Norwegian documentary about hunting trolls? Apparently they uncover not only a heap of trolls but the existence of a Government agency that monitors the critters and keeps the public in ignorance.
Troll
: Huff. Not a hard job, if ya ask me. It’s rubbish though.
RH
: They’re not real trolls in the doco?
Troll
: Real? Sure the trolls are real. That one with the monstrous plodding feet? That’s my sister.
RH
: Sister? But it seems so, so —
Troll
: Ugly? Yeah, and she’s the pretty one of the family.
RH
: So you actually know these trolls then. In that case, what’s rubbish about it?
Troll
: Are you kiddin’ me? The Government agency crap. It’s a myth. There’s no such thing as government agencies.
RH
: What? No government agencies of any kind?
Troll
: None. They’re all fake.
RH
: But governments run countries. Every country has one.
Troll
: Pawff! You’re so ignorant. Next you’ll be telling me people actually have democratic rights.
RH
: Well, yeah, they do.
Troll
: [He patted me on the head.] Not much goin’ on in there, eh?

It took me ages to crawl out of the mud he’d patted me into and by the time I did, he was gone.

Gallery:

Posted in Cryptozoology, Film, Giant Monsters, Interviews, Monsters in general, Preview, Update | Tagged , , , , | 4 Comments

There Be Monsters on the Skyline

Skyline (US-2010; dir. Colin and Greg Strause)

I must have been living under a rock. When I saw the second trailer for this film I’d never heard of, and saw the huge invading spaceships, the slick production values and the really, really big monsters, I was definitely interested — but couldn’t understand why there’s been so little talk about it, even from my kaijuphile comrades. Hopefully there will be, because this looks good. It may be another War of the Worlds spin — but that’s not surprising as H.G. Wells created the template for such things.

Click to enlarge the poster below — and yes, all those fly-specks are people…

Synopsis:

In the sci-fi thriller Skyline, strange lights descend on the city of Los Angeles, drawing people outside like moths to a flame where an extraterrestrial force threatens to swallow the entire human population off the face of the Earth.

Skyline was directed by Colin and Greg Strause (of Alien vs Predator: Requiem fame) and stars Donald Faison, Eric Balfour, David Zayas, Scottie Thompson and Brittany Daniel. It was written by Joshua Cordes and Liam O’Donnell. Cordes’ SFX (if not his scriptwriting) resumé is rather impressive, listing Iron Man 2, Avatar, 2012, The Incredible Hulk, 4: The Rise of the Silver Surfer and much else besides, mainly as animation/digital supervisor. SFX for Skyline are being handled by the Strause Brothers’ own company Hydraulx, who provided visual effects for Iron Man 2, Avatar, The Curious Case of Benjamin Button and 300.

Check out this trailer, especially (if you’re kaiju-inclined) the large pounding feet!

And here’s the first released trailer, which is a bit less impressive but a tad more informative:

Sources: Official website; IMDb

Gallery:

Posted in Apocalypse, Flying Saucers, Giant Monsters, Monsters in general, Science Fiction, Trailers | Tagged , , , , | 2 Comments

New: Attack of the Indian Werewolf

Touted as the most ambitious film ever to come from South Africa, Attack of the Indian Werewolf (South Africa-2010; dir. Masood Boomgaard) is a horror comedy of a somewhat wacky kind — Indian style.

“Get dalad”?

Synopsis:

Brandon (Neville Pillay) is a timid electronics store clerk whose life is turned upside down when a chance encounter with the mystical jadoo bean transforms him into a ferocious wolf-like creature from which no one is safe — let alone his cheating girlfriend (Avashnee Vandiar) and abusive boss (A.K Khan).

Brandon’s spontaneous transformations into the beast cause him to unleash bloody carnage across his town and it is up to his best friend, the over the top Kuben (Sanjeev Singh) and his childhood sweetheart Samantha (Kajal Maharaj) to find a cure to the jadoo bean’s curse and put an end to the havoc. (Official website)


Above: Neville Pillar contemplates transformation and Kajal Maharaj


Above: Avashnee Vandiar wonders why there’s so much light
coming through Nesan Pather’s ear

Trailer:

Attack of the Indian Werewolf, which was filmed in Durban, had its World Premiere at the Durban International Film Festival on 25 July 2010 and marks the feature directorial debut of director Boomgaard. The film has been acquired by distribution company Videovision Entertainment. Sanjeev Singh, Director of Acquisition and Distribution of Videovision Entertainment, commented:

Despite the limited budget of the film, Masood Boomgaard has created a really funny spoof on the werewolf genre films, which shows his talent and resourcefulness as a director. (FilmContact.com)


Above: Kajal Maharaj

And there will be blood:

More pictures in the Gallery below.

You can listen to music from the film on Reverbnation. Here’s an example of its South African/Indian crotch-focused hip-hop:

From the trailers and clips, toilet humour seems to play a big part in the proceedings, too.

Sources: Facebook page; Official website. Research: Avery Guerra  |  Writing: Robert Hood

Gallery:

Posted in Film, Horror, Humour | Tagged , , , , | 6 Comments

Will the Real Thing Top This?

With the imminent premiere of the much-anticipated zombie TV series, The Walking Dead, shambling ever closer (Halloween), one fan of the show has produced a title sequence that’s going to be hard to beat.

Daniel Kanemoto utilises artwork taken from the brilliant Robert Kirkman comic series of the same name (artists: Tony Moore and Charlie Adlard). With a scenario that snips off from George A. Romero’s iconic Living Dead films, The Walking Dead follows the day-to-day struggle to survive of a mixed group of people after the zombie apocalypse destroys Civilisation As We Know It.

If the show hasn’t finalised its official title sequence yet, they should give Kanemoto a call.

THE WALKING DEAD “Opening Titles” from Daniel Kanemoto on Vimeo.

Credits:
Animated by Daniel M. Kanemoto
“The Walking Dead” Artwork by Charlie Adlard & Tony Moore
“Fresh Blood” Written & Performed by eels
Music Editing by Jeff Yorkes

Posted in Apocalypse, TV, Zombies | Leave a comment

Godzilla: History, Biology and Behavior of Hyper-Evolved Theropod Kaiju

This is a lecture on Godzilla and his history, nature and implications for life on Earth. It was delivered by Professor Shyaporn Theerakulstit at the 3rd annual Nerd Nite Nerdtacular “as a public service, to save you from burning in nuclear fire” (in Prof. Theerakulstit’s own words).

It’s quite brilliant and Prof. Theerakulstit manages remarkably well despite continual interference from reactionary elements with laser pointers. When asked “Why are you so awesome?”, he replied: “Lighting.”

Visit Prof. Theerakulstit’s YouTube Channel, where you will find many more lectures and talks on popular culture and items of scientific importance.

  • Thanks to Robin Pen for pointing the Backbrain in Prof. Theerakulstit’s direction.
Posted in Daikaiju, Giant Monsters, Godzilla, Humour | Tagged , , , | 5 Comments

Weekend Fright Flick: Terror From the Abyss

As Guillermo Del Toro heads into his much-anticipated production of H.P. Lovecraft’s longest mythos story, At the Mountains of Madness, Undead Backbrain presents a much shorter, much cheaper version of the same tale.

This one comes courtesy of Daniel Lenneér, who previously brought you the Jules Verne pastiche, Vågbrytare [aka “The Wavebreakers”] (Sweden-2009; short [14:30 min.]) — see this Backbrain article for details.

The new film’s called Terror from the Abyss [aka Fasan Från Avgrunden] and is 11:56 min. in length, filmed in black-and-white in the style of a silent film of the ’20s. This particular retro approach to Lovecraftian filmaking was popularised by the H.P. Lovecraft Historical Society’s The Call of Cthulhu (US-2005; dir. Andrew Leman) — and it works here, too.

Terror from the Abyss is more light-hearted and somewhat tongue-in-cheek, filled with cute animated Elder Beings and Shoggoths, but the ending in particular is a doozy. Richard Svensson (“The Lone Animator”) is responsible for the “blasphemous” claymation and Stefan Harrysson for transfforming the footage into a 1920s silent film style using “glorious” post-production techniques. It stars Lenneér and his oft-collaborator Christopher Johansson.

Says Lenneér: “To bring life to Lovecraft’s strange visions, the film uses mixed techniques like green screen compositing, cut-outs, and clay animation. The production took place in Sweden during 2009-2010.”

Images:

Posted in Cthulhu, Film, Giant Monsters, Humour, Independent film, Lovecraft, Monsters in general, Weekend Fright Flick | Tagged , , , , | Leave a comment

India’s Most Expensive Robot

Said to be the most expensive film yet made in India, Endhiran [aka The Robot] (India-2010; dir. S. Shankar) is full of bizarre effects, action, singing and dancing — everything we might expect from Bollywood, in fact. More, it’s got moments of weirdness that are reminiscent of recent Japanese genre-flicks such as Robo-Geisha (though without the blood-splatter) — and it’s got a giant robotic snake!

Endhiran features Indian superstar Rajnikanth and Miss World Aishwarya Rai. It was made in the Tamil language — the Hindi version is called Robot. According to the Hindustan Times, it is the second biggest film release ever, in terms of pre-release ticket sales and number of screens (2000 screens globally) after Sam Raimi’s Spiderman. (Source)

Synopsis:

Scientist Dr Vasigaran (Rajni) creates a robot named Chitthi (also Rajni) who has great intelligence and super-strength, can memorise the phonebook at a glance, sing, dance, fight, run on walls — and, after modification, experience human emotions. This he does, falling in love with Sana (Aishwarya Rai). The bad guys, who are aware of the power of this robot, acquire it for their own nefarious purposes. Fearful of the consequences, Vasigaran sets out to rescue the robot.

Official Trailer:

The film will be released internationally on October 1.


More Trailers and Clips:

The Gallery below includes more pictures and alternate posters.

Gallery:

Posted in Exploitation films, Fantasy, Film, Giant Monsters, Indian, News, Posters, Robots | Tagged , , , , , | 4 Comments

Legendary Pictures Godzilla News

Producer Brian Rogers talked to “zennie62” about the in-production Legendary Pictures “re-boot” of Godzilla.

The key points are:

  1. We’re looking at a 2012 release.
  2. Godzilla will be created using CGI. Otherwise the film is live action.
  3. Godzilla will fight another monster or even monsters.
  4. They want this Godzilla to be true to the original Japanese Godzilla, in both appearance and general narrative approach.
  5. They want to “re-boot” Godzilla the way they re-booted Batman in Batman Begins — not necessarily in a technical sense (violent camera editing, dark ambiance, etc.), but in a way that keeps it faithful to the iconic character while tweaking it for modern audiences.
  6. Reading between the lines, I don’t think the image of Godzilla that appeared on t-shirts released at Comic-Con is the production’s definitive version of the Big G — though it may very well reflect the effect they’ll be going for. The other one that was doing the rounds bears no relation to Legendary’s design at all.

Take a listen:

Posted in Daikaiju, Giant Monsters, Godzilla, Interviews, Monsters in general, News | Tagged , , | 1 Comment

Slime on the Walls of the Spaceship

Highly respected Japanese filmmaker, Kinji Fukasaku, who died in 2003 at the age of 73, having just directed a hugely successful sci-fi/horror satire, was responsible for several classics of Japanese, and indeed world, cinema. His films include the “The Yakuza Papers” underworld crime sagas  — Battles Without Honor and Humanity (Jingi naki tatakai, 1973), Deadly Fight in Hiroshima (Jingi naki tatakai: Hiroshima shito hen, 1973), Proxy War (Jingi naki tatakai: Dairi senso, 1973), Police Tactics (Jingi naki tatakai: Chojo sakusen, 1974) and Final Episode (Jingi naki tatakai: Kanketsu-hen, 1974) — and assorted other Japanese noir and action films. Other successes include Message From Space (Uchu kara no messeji, 1978), Legend of the Eight Samurai (Satomi hakken-den, 1983), the Japanese sequences of Tora! Tora! Tora!: The Attack on Pearl Harbor (1970), the brilliant (though rarely seen in the West in its full glory) Virus (aka Day of Resurrection, Fukkatsu no hi, 1980), and the brutal modern classics Battle Royale (Batoru rowaiaru, 2000) and its sequel.

Yet he also directed the infamous The Green Slime (1968).

Long elusive on all but poor-quality pan-and-scanned VHS, The Green Slime is a film for which many fans retain great fondness, notwithstanding a lingering awareness of its goofy and gloriously schlocky nature.

Well, at last Warner Bros is releasing it from the archives, according to Japanese film expert August Ragone. He reports (via Tom Weaver) that the DVD will feature a brand new 16:9 — 2.35:1 Scope master print, newly remastered especially for this release in HD. According to his source, it “looks quite remarkable. This is the first master done in the proper OAR. The source was a beautiful IP.”

I can’t wait.

Posted in Archival, Horror, Japanese, Monsters in general, News, Science Fiction | Tagged , , , , | 4 Comments

Weekend Fright Flick: It Came From Beyond the Mountain

So you reckon “they don’t make ’em like that any more”? Well, maybe they do. Director Douglas Bankston’s retro-50s giant monster film, It Came From Beyond the Mountain is here presented in its full 10:38 minute version.

According to Bankston, the story behind the film goes like this:

Long thought to have been destroyed in the great vault fire of ’59, a print [of ICFBTM] was discovered during the police raid of a reclusive collector’s home and can now be seen for the first time in 40 years! Teens are terrorized by a giant rampaging spider mutated in a 1950s atomic test gone awry, featuring a mad general, a freight train and a mind-numb… I mean bending… climax that will make your brain turn into some sort of quivering, gelatinous substance. This restored director’s cut features footage found under a bed in room 927 in the Roosevelt Hotel.

So we present, for the first time since 1959, It Came From Beyond the Mountain. Enjoy!

It Came from Beyond the Mountain from Douglas Bankston on Vimeo.

Bankston adds: “On a completely unrelated note, my short film The Courier just (and I mean just) won Best Film at the 48 Hour Film Project in Little Rock. Unfortunately, it didn’t draw horror or sci-fi as the genre but rather thriller/suspense.

Source: Douglas Bankston via Avery Guerra

Posted in Film, Giant Monsters, Horror, Independent film, Retro, Weekend Fright Flick | Leave a comment